The Cruel Hand of Intolerance
|You Save:||$3.48 (8% Off)|
Currently Out of Stock: We'll get more as soon as possible
Format: Blu-ray (2 Discs)
Blu-ray Disc Features:
- Number of Discs: 2
- Rated: Not Rated
- Run Time: 2 hours, 48 minutes
- Video: Black & White
- Released: November 5, 2013
- Originally Released: 1916
- Label: Cohen Media Group
- Encoding: Region 1 (USA & Canada)
- Note: Blu-ray Features:
- Two full features The Fall Of Babylon and Mother And The Law accompanied by new scores by the Mont Alto Motion Picture Orchestra
- 2013 bonus featurette with historian Kevin Brownlow
- Theatrical re-release trailer
- DTS HD Master Audio
- Subtitles - English
Performers, Cast and Crew:
|Performer:||Robert Harron, Mae Marsh, Constance Talmadge, Elmo Lincoln & Eugene Pallette|
|Directed by||D.W. Griffith|
|Edited by||James Smith, Rose Smith & D.W. Griffith|
|Screenwriting by||Tod Browning & D.W. Griffith|
|Composition by||Carl Davis, Joseph Carl Breil & D.W. Griffith|
|Cinematography by||G.W. Bitzer & Karl Brown|
|Produced by||D.W. Griffith|
...[With] miraculous cinematography, and charismatic performances...
5 stars out of 5 -- [T]his is monumental cinema and essential viewing for true film enthusiasts.
...Here Griffith's remarkable editing scheme takes the film into virtually abstract realms, making it also a large-scale meditation on the nature of cinematic space and narrative construction...
Sight and Sound
What it is in fact is a very sophisticated blockbuster: love, sex, violence, heroism, drama, humour and spectacle beyond belief.
Sight and Sound
...There has never been a movie quite like INTOLERANCE, and few, if any, have been so influential...
Los Angeles Times
Silent film director D.W. Griffith's biggest, most ambitious spectacle uses stories from different times and places to illustrate humanity's intolerance of religious differences throughout the ages. The most visually impressive of these chronicles is the fall of Babylon, for which Griffith built the largest sets in Hollywood and filled them with thousands of extras; there's also Christ's crucifixion and the massacre of the Heugenots in 15th century France. The most emotionally involving tale is the "modern" one, about a poor girl (Mae Marsh) whose life is repeatedly ruined by the zealotry of social reformers. The image of a mother (Lillian Gish) rocking her child in a cradle ("the uniter of the here and hereafter") links the stories. At one point, angels reach down from heaven to stop soldiers in midbattle, making it clear that Griffith intended this follow-up to THE BIRTH OF A NATION as a message of global peace and love (and an answer to his critics' accusations of racism). For a nation poised to enter World War I, this was perhaps the wrong message, and INTOLERANCE opened to mixed reviews and poor attendance. It is now rightly recognized as a unique work of cinematic art. The restored version includes color-tinted scenes.
D.W. Griffith's large-scale epic spans several centuries and cultures. The film is made up of four distinct stories linked solely by a single common thread: intolerance. Three of the stories are based on historical fact: France during the reign of Charles IX; the birth and crucifixion of Christ; and the fall of Babylonia. The fourth tale is a "modern" story of greed, cruelty and betrayal.
Classic | Race Relations | Silent | Suspense | Thriller | Vintage | Epic | Recommended | Essential Cinema
- Theatrical release: September 5, 1916.
- INTOLERANCE was an original selection to the Library of Congress National Film Registry in 1989.
- INTOLERANCE was released two years after THE BIRTH OF A NATION, and is widely regarded as director D.W. Griffith's protest and self-defense against the charges of racism leveled at him for BIRTH's glorification of the Ku Klux Klan.
- Among the dancers in the Babylonian sequence was the young Martha Graham, performing at the time with modern dance choreographer Ruth St. Denis's company.
- As was the case with THE BIRTH OF A NATION, Griffith continued to tinker with the finished product during the following years, cutting out scenes and re-editing. But in 1989, Gillian B. Anderson and Peter Williamson created a reconstructed version using all available footage as well as still photographs to substitute for missing sequences; this restoration gave a better sense of what the original print might have been like. This version was shown at the New York Film Festival on October 29, 1989.
- The film was very costly and not terribly successful at the time; Griffith chose to reedit the individual stories into shorts and also release them separately.
The Sound of Music (50th Anniversary Ed.) (Blu-ray)
$15.40 Super Savings