Alfred Schnittke Film Music Edition
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CD Details
- Number of Discs: 4
- Released: May 12, 2015
- Originally Released: 2015
- Label: Capriccio
Tracks on Disc 1:
- 1.Thema - Titelmusik
- 2.Agitato I - Schlitten
- 3.Agitato Ii - Reise
- 4.Walzer (Abschied)
- 5.Thema Und Marsch
- 6.Epilog - Finale
- 7.Spaziergange Der Wawilowa Durch Die Stadt
- 8.Hochzeit
- 9.Attacke
- 10.Spiel
- 11.Einzug in Die Stadt
- 12.Liebe
- 13.Keller
- 14.Regen
- 15.Traum
- 16.Wanderung Der Verdammten
- 17.Einsicht
Tracks on Disc 2:
- 1.Title - Credit Music
- 2.Intermezzo
- 3.Acrobats
- 4.In Hospital
- 5.Waltz
- 6.Building Plot
- 7.Coach
- 8.Factory
- 9.Vovka
- 10.The Musician and the Carillon
- 11.Procession
- 12.The Faces - the Flights - Pyramids
- 13.The Musician - the Awakening
- 14.Sotnikov's Death
- 15.On the Sleigh
- 16.Remorse
Tracks on Disc 3:
- 1.In Der Fledermaushohlen
- 2.Absturz Der Kutsche - Das Meer
- 3.Liebeserklarung - Orlandos Thema
- 4.Katz - Und Maus - Spiel
- 5.Maitanz - Spelunke - Jagd
- 6.Pest
- 7.Minuet
- 8.Tanz - Walzer - Orlandos Tod
- 9.Zerstorung Des Schlosses
- 10.Finale
- 11.Titelmusik
- 12.Bedrohung Und Rettung
- 13.Nacht
- 14.Legende
- 15.Kampf
- 16.Epilog
Tracks on Disc 4:
- 1.Titelmusik: Interview
- 2.Griechenland - Das Bad: Adagio - Pesante
- 3.Zukunft: Menuett
- 4.Das Lied Des Kaufmanns Kalaschnikow: Allegro
- 5.Schlachtenbummler: Menuett - Fugue: Allegro
- 6.Der Moderne Sport: Training - Sieger - Finale: Allegro Molto - Andante
- 7.Maschas Lied: Tempo Di Valse
- 8.Gloria: Maestoso
- 9.Der Park: Tempo Di Valse
- 10.Pantomime: Allegretto
- 11.Charleston
- 12.Fruhling
- 13.Walzer: Moderato
- 14.Verzweiflung: Andante
- 15.Finale
Product Description:
Alfred Schnittke as a composer of film music - that is a fact well known to anyone who has ever been concerned with Alfred Schnittke. However, only very few people are familiar with his actual work in the film music genre. This is all the more surprising since on the one hand, Alfred Schnittke wrote more than 60 film scores during the years between 1961 and 1984, and on the other hand, his poly-stylistic techniques found a nearly perfect equivalent in film. Since Alfred Schnittke suffered from the artistic regimentations like many contemporary composers in the USSR, and his works could often only be performed under difficult circumstances, his work for the film to a large extent contributed to his livelihood.