Ann-Helena Schluter Bach: Fantasias & Duets
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CD Details
- Released: May 17, 2019
- Originally Released: 2019
- Label: Profil - G Haenssler
Tracks:
- 1.Ann-Helena SchlüterCapriccio in B-Flat Major, BWV 992 "On the Departure of the Beloved Brother"
- 2.Ann-Helena SchlüterChromatic Fantasia & Fugue in D Minor, BWV 903
- 3.Ann-Helena SchlüterIch ruf zu dir, Herr Jesu, BWV 639 (Arr. for Piano)
- 4.Ann-Helena SchlüterWas mir behagt, ist nur die muntre Jagd, BWV 208: No. 9, Schafe können sicher weiden (Arr. for Piano)
- 5.Ann-Helena SchlüterHerz und Mund und Tat und Leben, BWV 147: No. 10, Jesus bleibet meine Freude (Arr. for Piano)
- 6.Ann-Helena SchlüterDuetto No. 1 in E Minor, BWV 802
- 7.Ann-Helena SchlüterDuetto No. 2 in F Major, BWV 803
- 8.Ann-Helena SchlüterDuetto No. 3 in G Major, BWV 804
- 9.Ann-Helena SchlüterDuetto No. 4 in A Minor, BWV 805
- 10.Ann-Helena SchlüterFuga on "Allein Gott in der Höh sei Ehr", BWV 677 (Arr. for Piano)
- 11.Ann-Helena SchlüterFuga on "Jesu Christus, unser Heiland", BWV 689 (Arr. for Piano)
- 12.Ann-Helena SchlüterGott heiliger Geist, BWV 674 (Arr. for Piano)
- 13.Ann-Helena SchlüterMusikalisches Opfer, BWV 1079 (Excerpts Arr. for Piano): Ricercar a 3
- 14.Ann-Helena SchlüterMusikalisches Opfer, BWV 1079 (Excerpts Arr. for Piano): Ricercar a 6
Product Description:
My own music is influenced by the music of Bach. Having studied in the Bach city of Leipzig, fallen in love with his fugues as a child and won with his Preludes in the Jugend musiziert competition, achieved my first Bach cycle with the Goldberg Variations (in the USA for my Master in music and my first album recording) then I was moved more and more deeply by the Credo, the inner conviction, in Bachs music. My imaginative powers, my musical energy (timbres, sounds, creativity, poetry) must be imbued with this richness. New music looks quite different from what it was in Bachs day (some even say it is all philosophy now, no melodies, notes or harmonies required). If modern music is still to be music, even today, and if it is still to enrich peoples lives, a thing of value that they can and will remember, then Bachs store of wealth can always come to the aid of us composers. And so it is that J.S. Bach, who never left Germany and spent so long in Leipzig for want of a better position, today more than ever embraces the whole world with a web of his music, in all the places he never travelled to, whether Spain, Franconia, Hesse, Sweden, or far beyond Europe. (Ann-Helena Schlüter)