Piano Red Lost Atlanta Tapes
- Released: August 10, 2010
- Originally Released: 2010
- Label: Landslide
Down Beat - p.763 stars out of 5 -- "Willie Perryman still has enough extroverted 'music spirit' to power his quaint vocals and his blues-and-boogie-woogie piano figures..."
Living Blues - p.54"[H]is rhythmic sense here is deep-pocketed and bespeaks a jubilant spirit that's reinforced by his imaginative harmonic sense, good-naturedly rough-hewn vocals, and choice of material."
- $0.99 on iTunes1.She's Mine
- $0.99 on iTunes2.My Baby's Gone
- $0.99 on iTunes3.That's My Desire
- $0.99 on iTunes4.Let's Get It On
- $0.99 on iTunes5.C. C. Rider
- $0.99 on iTunes6.Baby, Please Don't Go
- $0.99 on iTunes7.Shake, That's All Right
- $0.99 on iTunes8.Cotton Fields
- $0.99 on iTunes9.Corinna, Corinna
- $0.99 on iTunes10.The Right String (But the Wrong Yo Yo)
- $0.99 on iTunes11.Blues and Trouble
- $0.99 on iTunes12.Let's Have a Good Time Tonight
- $0.99 on iTunes13.St. Louis Blues
- $0.99 on iTunes14.Ain't Gonna Be Your Lowdown Dog No More
- $0.99 on iTunes15.Pay It No Mind
- $0.99 on iTunes16.Please Don't Talk About Me When I'm Gone
- $0.99 on iTunes17.Rockin' with Red
- $0.99 on iTunes18.Doctor Feelgood
Song previews provided courtesy of iTunes
Personnel: Piano Red (vocals, piano); James Jackson (drums).
Liner Note Author: David Fulmer.
Recording information: The Excelsior Mill, Atlanta, GA (10/11/1984).
Piano Red died on July 25, 1985, and The Lost Atlanta Tapes, an album drawn from a set he played at the Excelsior Mill in Atlanta, GA, is billed as his final recording, which is quite possible, since it was made in 1984. Not actually "lost," apparently, the tape has been in the possession of Michael Reeves, who ran the Excelsior Mill and has waited 26 years to give it a commercial release. Piano Red may have been near the end of his life, but there is nothing valedictory or elegiac about his performance here. On the contrary, appearing with a bass player and drummer, he is an enthusiastic entertainer, acting as a cheerleader for his audience as he goes from blues tunes to stride piano and boogie-woogie numbers. One of his fellow musicians can be heard calling out each successive song on the set list to the headliner, which seems as good a way to get through the performance as any. It doesn't matter what individual song Piano Red is playing; he always throws himself into it. This has the feel of a representative show, documenting what a typical hour with Piano Red sounded like over the many years that he performed in Atlanta clubs, long after his heyday but still vibrant, intent on helping his listeners have a good time. ~ William Ruhlmann
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