Dickey Betts Highway Call
No Depression: "...Caps his emergence as a unique and vibrant country-rock stylist....Betts conjured a rollicking brew of bluegrass, western swing and jazz..."
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- Released: May 1, 2001
- Originally Released: 1974
- Label: Polydor / Umgd
No Depression - 7-8/01, p.116"...Caps his emergence as a unique and vibrant country-rock stylist....Betts conjured a rollicking brew of bluegrass, western swing and jazz..."
Song previews provided courtesy of iTunes
Personnel includes: Richard Betts (vocals, acoustic & electric guitars, dobro, piano); Johnny Sandlin (acoustic guitar, bass, percussion); Jeff Hanna, Tommy Talton (acoustic guitar); John Hughey (steel guitar); Walter Poindexter (banjo); Frank Poindexter (dobro): Oscar Underwood (mandolin); Vassar Clements (fiddle); Chuck Leavell (piano); Stray Straton (bass, background vocals); David Walshaw (drums, percussion).
Recorded at Capricorn Sound Studios, Macon, Georgia.
All tracks have been digitally remastered.
Personnel: Richard Betts (vocals, guitar, acoustic guitar, electric guitar, dobro); Leon Poindexter (vocals, guitar, acoustic guitar); Frank Poindexter (vocals, dobro); Walter Poindexter (vocals, banjo); Stray Straton (vocals, background vocals); Dottie, Reba, Buck (vocals); Jeff Hanna, Tommy Talton (guitar, acoustic guitar); Dan Toler (guitar); Johnny Sandlin (acoustic guitar, percussion); John Hughey (steel guitar); Oscar Underwood Adams (mandolin); Vassar Clements (violin, fiddle); Reese Wynans (harmonica); Chuck Leavell (piano); Mike Kach (keyboards); David Walshaw (drums, percussion); Frankie Lombardi (drums); The Rambos (background vocals).
Audio Remasterer: Kevin Reeves.
Audio Remixers: Johnny Sandlin; Sam Whiteside.
Liner Note Author: Hideki Masubuchi.
Recording information: Capricorn Sound Studios, Macon, GA.
Photographers: Sydney Smith; William Matthews .
After the runaway success of the Allman Brothers' classic Brothers and Sisters LP -- an album on which Dickey Betts virtually architected the open loping country sound with his newly found singing voice and easy, slimmed down guitar style -- the guitarist decided to try his hand at a solo album. Highway Call is, in essence, the second chapter in Betts finding his own voice as not only a singer, but also as a songwriter as well. At a brief half-hour in length, Highway Call is nonetheless an emotionally powerful slice of small country life offered with a vast emotional landscape. The tone is nostalgic in that each of the songs here reflects memory and the yearning for a simpler, less cluttered life lived in the open spaces, away from the chaotic roil of rock stardom and all of its trappings. The title track reflects an acceptance of Betts' life as an itinerant musician, destined to play out his hand on the road. There isn't a hint of regret in the ringing, slippery guitars and harmony vocals, but there is a sense that life could have been different. On "Let Nature Sing," Betts calls forth the spirits of America, from its rock and crags, its lakes and panoramic vistas, and from the ghosts of the people who've traipsed through Betts' life, leaving an emotional and indelible impression upon him. Each song here, such as "Rain," with its sideways pedal steel, or "Long Time Gone," with its runaway slide, or even the aforementioned "Let Nature Sing," with its glorious dobro and fiddle (courtesy of Vassar Clements) underscoring Betts' lead and the ringing pedal steel of Jon Hughey is a testament to the pastoral in American life. And for Betts, the rambler, gambler, and hard living guitar man, there is no contradiction. All of his cards are on the table in "Hand Picked," a nearly 15-minute country swing romp through Bob Wills, Merle Haggard, the Allmans, and bluegrass, Betts creates the ultimate road instrumental. The listener can hear Clements and Betts roaring down the two-lane blacktop on the back of a flatbed truck, ripping this one out with easy abandon. Highway Call stands as the artist's finest solo moment, one that holds his true voice easily expressing itself far from the madding blues wail of the Allmans, deep in the center of a Georgia holler with the sun beating down on the peach trees or on the incessant babble of a backwoods creek calling his listeners to the mystery inherent in simple living and in playing honest, heartfelt music. ~ Thom Jurek