King Krule The Ooz

"Everything seems to come through several concrete walls, forming a space that is somehow claustrophobic and vast, empty and teeming."
"His raw-throated voice goes from whisper to semi-scream in seconds flat across multiple styles, rendering his entire oeuvre something of an aural Rorschach test..."
4 stars out of 5 -- "His vocals -- guttural, electric and still the star of the show -- seep from the cracks of songs sketched from jazz, punk, hip-hop, bossa nova and the ambient drift favoured by Dean Blunt and Frank Ocean."
Paste (magazine) - "[A]n artfully brooding, grime-y thing that stands as a terribly unique and nightmarish account of what it could sound like to spiral out of control."
Pitchfork (Website) - "THE OOZ is the richest and most immersive album he's made yet, under any name, by some distance."
Clash (Magazine) - "The jazz influence is heard from the outset as Marshall paints a picture of a morbid, urban backdrop filled with seedy characters and acute pop culture references over a darkly seductive oscillating synth soundscape..."