Cecil Payne Scotch and Milk
JazzTimes: "...through the sheer joy of playing and the craft built from years on the bebop campaign trail, baritonist extraordinaire Cecil Payne is still on the one..."
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- Released: May 29, 1997
- Originally Released: 1997
- Label: Delmark
JazzTimes - 10/97, pp.106-107"...through the sheer joy of playing and the craft built from years on the bebop campaign trail, baritonist extraordinaire Cecil Payne is still on the one..."
Song previews provided courtesy of iTunes
Personnel: Cecil Payne (flute, baritone saxophone); Paul Serrano (recorder); Eric Alexander , Lin Halliday (tenor saxophone); Marcus Belgrave (trumpet); Harold Mabern (piano); Joe Farnsworth (drums).
Recording information: Riverside Studio, Chicago, IL (09/02/1996-09/03/1996).
Photographer: Scott Pollard.
When Cecil Payne turned 70 in 1992, the baritone saxophonist was showing no signs of slowing down. Payne was 73 when he recorded Scotch and Milk, a fine hard bop date employing trumpeter Marcus Belgrave, tenor saxmen Lin Halliday and Eric Alexander, pianist Harold Mabern, bassist John Ore, and drummer Joe Farnsworth. Payne's chops are in top shape on this 1996 date, and the veteran saxman plays with a lot of passion on such exuberant originals as "Wilhemenia" (a Sonny Rollins-type jazz/calypso number), "Que Pasaning," and "Cit Sac" (which finds Payne switching to the flute). The only tune on the CD that Payne didn't write is the standard "If I Should Lose You," which serves as a nice example of his soulful ballad playing. Nothing groundbreaking takes places on Scotch and Milk; most of the material could have been recorded for Blue Note in the 1950s or 1960s instead of 1996. Scotch and Milk is a perfect example of a veteran improviser excelling by sticking with what he does best. ~ Alex Henderson