Call Super Fabric 92 :

At some point in the early morning the collective pulse in the room shifted. Gone the roller-coaster of the peak hours. Sweat gave way to the fog of the hazy hours, and the crowd has evolved to those in need of undulating epiphanies. This is the stage on which fabric 92 unfolds. "I love playing every hour of the night. However the late hours seemed strangely under represented within this series, and I thought it would be good to start there instead of using this opportunity to add another peak time chapter to the collection."- Call Super In a few years this versatility has marked the London born Call Super as one of the brightest new lights on the DJ landscape. His rise has been steady and remarkable, reinforced at every stage with music that draws on a panoply of influences. The son of a New Orleans jazz clarinetist, his curiosity for music was driven by a childhood playing Spanish guitar and the piano before being burnished through teenage revelations in the London club scene. "The fabric mix series has played an influential role in my learning of my craft. As influential to me as the club itself. The discs recorded by Ellen Allien, Craig Richards, Robert Hood, James Murphy and Pat Mahoney all taught me quite distinct things about track selection and pacing that I think about to this day. The John Peel one became an elegy that I still remember him by as much as his radio shows that I used to listen to. "Because of this I wanted my mix to do a few things. Primarily I wanted it to be highly personal, a Polaroid of my way of mixing records. Because my own technique has been influenced by other discs in the series, I had to capture the way I sometimes play in a club." - Call SuperAnd that is what this mix is, the sound of a DJ who has drawn in so much in finding their own voice. Records layered and sliced with a deft array of techniques and a singular vision for the room and the time they are operating in