A Married Woman (Blu-ray)
She Loves Two Men... She is Married to One!
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A Married Woman (DVD)
for $26.70
Blu-ray Details
- Run Time: 1 hours, 35 minutes
- Video: Black & White
- Encoding: Region 1 (USA & Canada)
- Released: May 24, 2016
- Originally Released: 1964
- Label: Cohen Media Group
Performers, Cast and Crew:
Starring | Macha Méril, Philippe Leroy & Bernard Noël | |
Directed by | Jean-Luc Godard | |
Screenwriting by | Jean-Luc Godard | |
Director of Photography: | Raoul Coutard |
Entertainment Reviews:
Rating: 76/100 --
Godard commodifies his actors in the same way that the world of advertising does. So, because Charlotta is immersed in this world, she experiences life the same way, in fragments, snippets and whispered sound bites.
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Cinemania
Rating: 0/4 --
...a series of nonsensical, infuriatingly abstract sequences and interludes.
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Reel Film Reviews
Rating: 3.5/5 --
A Married Woman reveals itself to be a rather terse but effective study on consumerism and gendered commodification.
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IONCINEMA.com
An extraordinarily rich and provocative picture in its own right.
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Village Voice
Godard's eye is as pure as a cello solo.
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The Stranger (Seattle, WA)
A thoughtful, probing exercise in erotic stagnation - no less engaging for lacking pulpiness.
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Los Angeles Times
A MARRIED WOMAN is the French filmmaker's coolly intellectual, artistic dissection of modern bourgeois life that gets overlooked in his prolific '60s output...
Los Angeles Times
Product Description:
Famed auteur Jean-Luc Godard's fascination with the female race continues with A MARRIED WOMAN, an unconventional cinematic portrait of a woman who is at a crossroads in her life. Charlotte (Macha Meril) is a beautiful young wife and stepmother, who also happens to have fallen in love with Robert (Bernard Noel), a charming actor. While her husband, Pierre (Philippe Leroy), is away on business, she and Robert continue to spend time together in a hotel. When Pierre returns, Charlotte must lie in order to cover up her infidelities. She eventually learns that she is pregnant, forcing her to choose between a life with her husband, or a fresh new start with Robert. Shot in a series of extreme close-ups that mostly focus on Charlotte's flesh, Godard shows his obvious reverence for the female body. He also allows his actors the time to express their own confusion and philosophies--most notably in an extended dinner sequence. Godard's intellectual approach to male-female relationships, and especially the institution of marriage, is on full display with this influential drama, in a similar manner to the director's MY LIFE TO LIVE, TWO OR THREE THINGS I KNOW ABOUT HER, and CONTEMPT.