F for Fake (Criterion Collection) (2-DVD) PG

F for Fake (Criterion Collection) (2-DVD)
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Format:  DVD  (2 Discs)
item number:  H933
on most orders of $75+
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Also released as:

DVD Features:

  • Audio Commentary by Star and Co-Writer Oja Kodar and Director of Photography Gary Graver
  • Introduction by Director Peter Bogdanovich
  • Extended 9-Minute Trailer
  • Orson Welles: One-Man Band (1955), An 88-Minute Documentary About Welles's Unfinished Projects Almost True: The Noble Art of Forgery (1997), A 52-Minute Documentary About Art Forger Elmyr de Hory
  • Number of Discs: 2
  • Rated: PG
  • Run Time: 1 hours, 27 minutes
  • Video: Color
  • Released: April 26, 2005
  • Originally Released: 1976
  • Label: Criterion
  • 2-Disc Set
  • Encoding: Region 1 (USA & Canada)
  • Note: This release is a new, restored High-Definition digital transfer.
  • Packaging: Keep Case
  • Special Edition
  • Aspect Ratio: Anamorphic Widescreen - 1.66
  • Audio:
    • Dolby Digital Mono 2.0 - English

Disc 1: The Film

  • Additional Release Material:
    • Trailers: Extended 9 Minute Trailer
    • Audio Commentary: Oja Kodar - Actor/Co-Writer and Gary Graver - Director Of Photography

Disc 2: The Supplement

  • Additional Release Material:
    • Bonus Footage: 1972 Hughes Press Conference
    • Interviews: Clifford Irving (2000, 60 minutes)
    • Documentary:
      1. ORSON WELLES: ONE MAN BAND (1995, 88 minutes)
      2. ALMOST TRUE: THE NOBLE ART OF FORGERY (1997, 52 minutes)

Performers, Cast and Crew:

Starring , &
Performer: &
Directed by
Edited by &
Screenwriting by &
Composition by
Produced by &
Director of Photography: &

Memorable Quotes and Dialog:

"This is a film about trickery, and fraud...about lies."
  - Orson Welles
"During the next hour, everything you hear is true and based on solid fact."--Welles

"Up to your old tricks again, I see'"--Oja Kodar
"Why not' I'm a charlatan."
  - Welles
"A magician is just an actor playing the part of a magician."
  - Welles, quoting the famous magician Robert-Houdin (who inspired Houdini's name)

Entertainment Reviews:

...A charming, witty meditation....If it is a fake, it's a marvelous one...
New York Times
Feb 26, 1977
Welles splices together a nonlinear meditation on fraud with a jump-cut, call-and-response style that predates MTV and other imitators.
Entertainment Weekly
Apr 29, 2005
4 stars out of 5 -- [A] definition-defying examination of trickery itself.
Total Film
Mar 1, 2007
[Welles] reserves his richest scorn, and his greatest delight, for his mendacious, capacious self.
Wall Street Journal
Dec 12, 2013
[The film] celebrates magic and sleight of hand, a skill Welles possessed from a young age and which he returns to with brio...
May 1, 2006
4 stars out of 5 -- Playful one moment, contemplative the next, it's prankster radicalism....A masterpiece of deceit...
Feb 1, 2007
...[An] artfully assembled essay about forgery, swindling and living the good life on modest resources...
USA Today
Jul 28, 1995

Description by OLDIES.com:

Trickery. Deceit. Magic. In Orson Welles's free-form documentary F for Fake, the legendary filmmaker (and self-described charlatan) gleefully engages the central preoccupation of his career - the tenuous line between truth and illusion, art and lies. Beginning with portraits of world-renowned art forger Elmyr de Hory and his equally devious biographer, Clifford Irving, Welles embarks on a dizzying cinematic journey that simultaneously exposes and revels in fakery and fakers of all stripes - not the least of whom is Welles himself. Charming and inventive, F for Fake is an inspired prank and a searching examination of the essential duplicity of cinema.

Product Description:

Orson Welles has a ball examining the nature of what is real and what is fake in the funny, bizarre F FOR FAKE. Four people stand at the center of this documentary: Elmyr de Hory, who some believe forged more than a thousand masterpieces, many of which hang in some of the world's most famous museums; Clifford Irving, who is not only out to prove what a fake Elmyr is but also wrote a fake biography of Howard Hughes; Oja Kodar, who claims that Pablo Picasso painted 22 canvases of her that no one has ever seen; and Welles himself, who harks back to his days creating the havoc-causing THE WAR OF THE WORLDS for radio. But the true star of the film is the editing; from absurd stock footage to shots of Welles smirking into the camera from different locations to scenes with a monkey scurrying about, the film is vastly entertaining to watch. F FOR FAKE is an underrated, underappreciated work of comic genius about the nature of reality, celebrity, and art, by a master filmmaker showing a surprisingly wicked sense of humor.

Plot Synopsis:

Orson Welles's tongue-in-cheek look at famous fakes studies art forger Elmyr de Hory, Howard Hughes pseudo-biographer Clifford Irving, supposed Picasso muse Oja Kodar, and, finally, himself, from his WAR OF THE WORLDS radio broadcast to the accusation that he stole a writer's credit on CITIZEN KANE. This was one of Welles's last films, and though it defies easy categorization, no Welles fan should miss it.


Production Notes:

  • The film premiered at the San Sebastian Film Festival in September 1974.
  • Shot on location in the United States, France, Toussaint, and Ibiza.
  • Among the other titles considered for the film were VÉRITÉS ET MENSONGES (TRUTH OR LIES), ', QUESTION MARK, and HOAX.
  • Director Orson Welles used footage that François Reichenbach had already shot for the original documentary.
  • Welles connects himself to Clifford Irving by stating that Howard Hughes (the subject of Irving's hoax) was the initial basis for CITIZEN KANE.
  • Welles and Oja Kodar were close friends and associates in the latter years of Welles's life.
  • The opening credits, which humorously appear on film canisters, contain a misspelling of the word "practitioners" ("practioners").
  • Christian Odasso shot the scenes in France and Ibiza; Gary Graver shot the scenes in the U.S. and Toussaint.
  • Near the end of the film there is a shot of Welles, against a dark background, that perfectly mimics the famous first shot of Welles as Harry Lime in THE THIRD MAN, one of the greatest shots in film history.
  • The film took about a year to edit; interestingly, much of the film contains shots of filmstrips and editing rooms.
  • This was one of Orson Welles's last films.

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Product Info

  • Sales Rank: 81,519
  • UPC: 037429206928
  • Shipping Weight: 0.42/lbs (approx)
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