- 520 Pages
- Illustrated with B&W Photos
- Released: November 8, 2005
- Publisher: Harper Perennial
Description by OLDIES.com:
Few figures in film and theater history tower like Elia Kazan. Arguably the most important and influential director in the nation by the 1950s, Kazan's Broadway productions of A Streetcar Named Desire
and Death of a Salesman
reshaped the values of the stage, while his films - most notably On the Waterfront
- brought new realism and intensity of performance to the movies. Ebullient and secretive, bold and self-doubting, beloved yet reviled for "naming names" before the House Un-American Activities Committee, Kazan was an individual as complex and fascinating as any he directed.
In the electrifying biography Elia Kazan, noted film historian and critic Richard Schickel illuminates a single astonishing life and life's work, pays tribute to the power of theater and film, and casts a new light on six crucial decades of American history.
From the late forties through the sixties, Elia Kazan was the most important and influential director in America, and the only one who managed simultaneously to dominate both theater and film. In that role he manifestly shaped the conception and writing, as well as the presentation, of many of the period's iconic works, reshaping the values of the stage and bringing a new realism and intensity of performance to the screen. His various achievements include the original Broadway productions of The Skin of Our Teeth, All My Sons, and Death of a Salesman and such Hollywood films as Gentleman's Agreement, Brando's Streetcar, and Splendor in the Grass.
A non–traditional biography, this book combines social and political history with a sharp critical evaluation of Kazan's work. Schickel presents Kazan as a figure of his culture and time, much in the same way that David Remnick treated Muhammed Ali and the larger picture of American history in King of the World. History's view of Kazan is now colored by a single political act –– his naming names in testimony before the House Un–American Activities Committee. By putting the actions, work, and words of this towering figure in context, Schickel not only defends his hero and his hero's work; he also helps the reader move beyond Kazan's most infamous moment to appreciate the larger American story in which he played such a pivotal role. The result is an intelligent and lively biography and social history.