Rolling Stone - p.1193 stars out of 5
-- "[W]here Jon Bon Jovi once was kind of quixotic, he's more contemplative than ever, turning out meditations like 'Live Before You Die'..."
Billboard (p.60) - "'When We Were Beautiful' is wistfully nostalgic, right down to the sha-la-la backing vocals, with its own brief social commentary about living on a continuing prayer."
Q (Magazine) - p.1263 stars out of 5
-- "More than a quarter century down the line, BON JOVI are still living and selling the rock'n'roll fantasy on THE CIRCLE."
Personnel: Jon Bon Jovi (vocals); Richie Sambora (guitar, background vocals); Charlie Judge (strings, keyboards); David Bryan (keyboards); Hugh McDonald (bass guitar); Tico Torres (drums, percussion).
Audio Mixer: Bob Clearmountain.
Recording information: Henson Recording Studios, CA; Sanctuary Studios, NJ.
Photographers: Kevin Westenberg; Kirk Edwards.
One thing buried amidst all Bon Jovi's detours of the new millennium -- there wasn't just 2007's contemporary country Lost Highway, there was the acoustic reworking of hits This Left Feels Right in 2003 -- is that the group has been sober-minded throughout the decade, reacting to 9/11 on 2002's Bounce, exploring the morass of W's America on 2005's Have a Nice Day, and now creating a soundtrack for the Great Recession on 2009's The Circle. Subtlety has never been a concern for Bon Jovi, so the group makes it plain that they will be the ones to "Work for the Working Man," while they wonder "who's gonna bail out all our shattered dreams" on "Brokenpromiseland." Explicit references to the broken state of blue collar America pile up throughout The Circle, but instead of setting these wannabe working man anthems to the kind of Springsteen-esque rock that's their trademark, Bon Jovi, with the assistance of producer John Shanks, have decided to make their own version of a U2 album. Everything on The Circle exists in a big, wide open space conjured by echoed, delayed guitars, shimmering keyboards, and spacious rhythms, an atmosphere that's just as likely to recast the "Living on a Prayer" bassline as something as sadly ominous as it is to ease into chanted, African-inspired vocal hooks, but a knack for oversized choruses remains hardwired in Bon Jovi. ~ Stephen Thomas Erlewine