Duncan Browne Duncan Browne
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- Released: February 18, 2002
- Label: EMI Import
- 1.Ragged Rain Life
- 2.Country Song
- 4.My Only Son
- 5.Babe Rainbow
- 7.Cast No Shadow
- 8.Over the Reef
- 9.My Old Friends
- 10.Last Time Around
- 11.In the Mist
- 12.Send Me the Bill For Your Friendship
- 13.Guitar Piece
Seminal British folk-rocker Duncan Browne has been compared to everyone from Bob Dylan to Nick Drake. His eponymous album, the first produced for RAK Records, proves that he is one-of-a-kind, and includes his Top 40 hit, "Journey."
Personnel: Duncan Browne (vocals, guitar, electric guitar, Spanish guitar, piano); Tony Carr, Keith Hodge, Suzi Quatro (vocals); John "Rabbit" Bundrick (piano, organ, keyboards, synthesizer); John Cameron (piano, keyboards); Robert Henrit (drums).
Audio Mixer: Peter Mew.
Liner Note Author: Se n Lyons.
Arrangers: Duncan Browne; Mickie Most.
Duncan Browne's self-titled second album plays like a direct sequel to his debut long-player, Give Me Take You; he uses the same acoustic guitar and writes in a similar idiom, especially on tracks like "Country Song" and "The Martlet." Indeed, apart from the fact that it's generally better recorded, most of Duncan Browne could easily have slotted into the earlier album; the only exceptions are the more elaborately produced songs, such as "Ragged Rain Life," with its electric guitar sound, the keyboard-embellished "Babe Rainbow," and the bluesier, Dylan-esque "Journey," which was a substantial hit in England. Browne's style elsewhere on the record is unique unto himself, built around hauntingly beautiful melodies, mostly in a folk idiom, with some choice results, including the exquisite "Over the Reef" and "My Old Friends." He saved the best for last, a valedictory number entitled "Last Time Around," featuring extensive and impressive acoustic guitar ornamentation that gives way to some surprisingly tasteful progressive rock electronic sounds on the choruses. The RAK album was reissued on CD by EMI in 2002 with four bonus tracks, comprised of odd single sides and a pair of outtakes that extended the record's stylistic range considerably, into a more purely electric rock, more standard (though still enjoyable and attractive) singer/songwriter mode -- although the last of the bonus tracks, the previously unissued "Mignon," is easily the prettiest song that Browne ever recorded and is thoroughly in the style of his first LP. Even overlooking its own intrinsic merits, Duncan Browne is worth owning as a more mature and developed, if slightly less spontaneous, expression of the sensibilities that forged Give Me Take You. ~ Bruce Eder
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