Chuck Brodsky Radio
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- by Guy Clark ~ My Favorite Picture of You ~ $12.58
- Released: August 18, 1998
- Originally Released: 1998
- Label: Red House
Song previews provided courtesy of iTunes
Personnel: Chuck Brodsky (vocals, guitar); David Hamburger (dobro, electric & resophonic guitars); Mike West (banjo, banjouki); Brandon Bush (electric piano, organ); Don McCollister (ARP synthesizer, shaker); Jenny Hersch (acoustic bass); Dave LaBruyere (electric bass); Kevin Leahy (drums); Kristian Bush (snare drum, background vocals); Myshkin (washboard, background vocals).
Engineers: Kristian Bush, Don McCollister, Mark Thayer.
Recorded at Nickle & Dime Studio, Decatur, Georgia and Signature Sounds Recording Company, Palmer, Massachusetts.
All tracks have been digitally mastered using HDCD technology.
Personnel: Chuck Brodsky (vocals, guitar); David Hamburger (electric guitar, resonator guitar, dobro); Mike West (banjo); Brandon Bush (electric piano, organ); Jennifer Hersch (acoustic bass); David LaBruyere (electric bass); Kevin Leahy (drums); Kristian Bush (snare drum); Myshkin (washboard); Don McCollister (shaker).
Recording information: Nickle and Dime Studio, Decatur, GA; Signature Sounds Recording Company, Palmer, MA.
Chuck Brodsky tells a good story in quite a linear fashion that lets the listener follow along with minimal doubt about what the story is really about. This is the way not of poets, but more in the tradition followed by all good folk music storytellers. To enhance and flesh out his sound, he has enlisted the help of a few able-bodied musicians who more than competently play a wide variety of instruments with a flair for which they should be proud. They don't get much chance to really step up into their licks, as Radio is a songwriter's disc and not a musicians'. There is a rural Southern sensibility about this CD; Brodsky's vocal style owes a lot to the Woody Guthrie/Bob Dylan lineage, but as mentioned before, unlike Dylan, his tunes are straight-ahead stories as opposed to stories veiled in obscure references that invite wild speculation about their meanings. The opening cut, "La Migra Viene," is a real grabber, with a strong, rich sound very much like the earliest work of Bruce Springsteen -- a good strong beat and some catchy hooks to bring you into the story. The rest of the disc stays closer to the more traditional folk music idiom with its sparser instrumentation. All the cuts are written by Chuck Brodsky except the closer, "Circle," which is by Annie Gallup. This is strong on the songs, and they are well-crafted stories, but it seems to lack a fire to take it to a higher level. ~ Bob Gottlieb
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