The Move Shazam
- Released: September 15, 1998
- Originally Released: 1998
- Label: Repertoire
Rolling Stone - 5/14/70, p.52"...SHAZAM is a brutally energetic rock and roll album....The Move must be kept going to give us more albums like this one."
- 1.Hello Susie
- 2.Beautiful Daughter
- 3.Cherry Blossom Clinic Revisited
- 4.Fields of People
- 5.Don't Make My Baby Blue
- 6.The Last Thing on My Mind
- 7.So You Want to Be a Rock & Roll Star - (live)
- 8.Stephanie Knows Who - (live)
- 9.Something Else - (live)
- 10.It'll Be Me - (live)
- 11.Sunshine Help Me - (live)
- 12.Piece of My Heart - (previously unreleased, live)
- 13.Too Much in Love - (previously unreleased, live)
- 14.(Your Love Keeps Lifting Me) Higher and Higher - (previously unreleased, live)
- 15.Sunshine Help Me - (previously unreleased, live)
This 1998 reissue contains 9 bonus tracks not on the original release.
The Move: Roy Wood, Carl Wayne, Rick Price, Bev Bevan.
All tracks have been digitally remastered.
Personnel: Rick Price (vocals, guitar); Carl Wayne (vocals).
Liner Note Authors: H.J. Simon; Chris Welch .
The Move was always a hard band to pin down. They began by bringing a hard-edged American rock & roll sensibility to '60s British psych-pop, alternating between rave-ups and trip-outs. By the time of SHAZAM, one of the group's strongest efforts, the sound was most comparable to S.F. SORROW-era Pretty Things. There are hard-rock riffs aplenty, but they're employed in the service of long, ambitious songs, occasionally of a conceptual nature. The lengthy centerpiece, "Cherry Blossom Clinic," is indicative of SHAZAM's sound. "Clinic" tells the story of life inside a mental institution in a constantly shifting tour de force that moves from spoken-word fragments to heavy proto-progressive riffs to fanciful folk/baroque acoustic guitar tapestries.
On the other side of the coin, the band wrings some crunchingly heavy, Led Zep-like blues-rock out of some unlikely source material on the Barry Mann/Cynthia Weill composition "Don't Make My Baby Blue". Similarly, Tom Paxton's simple folk standard "The Last Thing On My Mind" is transformed into a moody, cinematic, seven-and-a-half-minute psychedelic rock epic. As if all this weren't enough, there's also nine (!) juicy bonus tracks.
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