Dead Kennedys Plastic Surgery Disasters / In God We Trust, Inc.
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- Released: April 13, 2010
- Label: Manifesto Records
Q - 6/01, p.1274 stars out of 5 - "...Excellent....telling you how sh**ty things are, the better it makes you feel..."
NME (Magazine) - 3/17/01, p.316 out of 10 - "...Still a riot....joined by the earlier, thrashier EP IN GOD WE TRUST whose high point is the fabulous 'Nazi Punks F*** Off'..."
- 1.Advice From Christmas Past
- 2.Government Flu
- 3.Terminal Preppie
- 4.Trust Your Mechanic
- 5.Well Paid Scientist
- 7.Forest Fire
- 9.Winnebago Warrior
- 11.Bleed For Me
- 12.I Am the Owl
- 13.Dead End
- 14.Moon Over Marin
- 15.Religious Vomit
- 16.Moral Majority
- 17.Hyperactive Child
- 18.Kepone Factory
- 19.Dog Bite
- 20.Nazi Punks Fuck Off
- 21.We've Got a Bigger Problem Now
2 LPs on 1 CD: PLASTIC SURGERY DISASTERS (1982)/IN GOD WE TRUST, INC. (1981).
The Dead Kennedys: Jello Biafra (vocals); East Bay Ray (guitar); Klaus Flouride (bass); D.H. Pelligro (drums).
Digitally remastered by John Cuniberti and East Bay Ray (The Plant Mastering, Sausalito, California).
PLASTIC SURGERY DISASTERS:
Additional personnel includes: Melissa Webber (spoken vocals); Dave Barrett, Geoffrey Lyall, Bruce Ackely (horns); Ninotchka (background vocals).
Producers: Thom Wilson, East Bay Ray, The Dead Kennedys, Geza X.
Engineers: Olivier DiCicco, John Cuniberti, Mark Wallner.
Recorded at Hyde Street Studios and Mobius Music, San Francisco, California.
IN GOD WE TRUST, INC.:
Additional personnel includes: Geoffrey Lyall, Ninotchka, Annette, HyJean, Darvon, Siobhan.
Producers: Norm, East Bay Ray.
Engineer: Oliver DiCicco.
The epic sweep of PLASTIC SURGERY DISASTERS, in both sonic texture and thematic depth, sets it apart as one of punk's most highly evolved musical and artistic statements. Vocalist Jello Biafra's rage had developed into a calmer but more strident kind of anger. Fortified by a wider variety of sounds, including horns, clarinets, and East Bay Ray's rich palette of aggressive guitar textures, this album attacked the usual DK targets.
Our bloated, mentally lazy consumer culture is lambasted in the thick, intimidating "Buzzbomb" and the stingingly sarcastic "Winnebago Warrior." Several of society's more insidious archetypes are taken on as well, as in the goofy "Terminal Preppie," and the furious, adrenaline-fueled "Well Paid Scientist." Firmly in place are Biafra's trademark paranoid anti-government diatribes; society's false sense of security is addressed in the breakneck-speed rant of "Government Flu," the far-reaching metaphor of "Trust Your Mechanic," and the angry theatrics of "I Am The Owl."
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