"It wasn't the airplanes. It was beauty killed the beast."
- Carl Denham (Robert Armstrong)
"Oh, no, it wasn't the airplanes. It was Beauty killed the Beast."
Los Angeles Times - 03/24/1989
"...KING KONG is the screen's ultimate Beauty-and-the-Beast fable, and it endures through the power of innocence that has all but vanished from the screen..."
Chicago Sun-Times - 02/03/2002
"...KING KONG is more than a technical achievement. It is also a curiously touching fable....There is something ageless and primeval about KING KONG that still somehow works..."
Total Film - 04/01/2001
"...The grand-daddy of all monster movies..."
Premiere - 04/01/2004
"[T]he first Kong has something today's CGI masters are hard-pressed to give their monsters: a soul."
Movieline's Hollywood Life - 11/01/2005
"[I]t's still the quintessential pulp saga, capable of popping eyeballs 70-odd years later without the help of computers."
Entertainment Weekly - 11/25/2005
"[The] black-and-white granddaddy of beast-on-the-loose movies....The movie looks improved over earlier video and TV copies, and still packs a wallop..."
Premiere - 12/01/2005 4 stars out of 4 -- "What makes KONG unique is its mix of hokum, horror, and peculiar poetry..."
Rolling Stone - 12/01/2005 Ranked #3 in Rolling Stone's "Top 25 DVDs Of 2005' -- "[T]he joy is seeing the 1933 original, complete with Max Steiner's classic score and once-censored scenes..."
Description by OLDIES.com:
Captured on blu-ray at last comes "the greatest of all horror films" with "masterly special effects" (Danny Peary, Guide for the Film Fanatic). Memorable moments abound: a moviemaking expedition on a fantastic isle filled with dinosaurs and other prehistoric creatures; the giant simian's lovestruck obsession with the film shoot's blonde starlet (scream queen Fay Wray); Kong's capture; his Manhattan rampage; and the fateful finale atop the Empire State Building, where Kong cradles his palm-sized beloved and swats at machine-gunning airplanes. "It was beauty killed the beast." But in these and other great scenes, King Kong lives forever.
Bonus features include:
Commentary by Visual Effects Veterans Ray Harryhausen and Ken Ralston, with Interpolated Interview Excerpts of Merian C. Cooper and Fay Wray
I'm King Kong: The Exploits of Merian C. Cooper Profiles the Original King Kong's Guiding Hand
7-Part Documentary RKO Production 601: The Making of Kong, Eighth Wonder of the World
Original Creation Test Footage with Ray Harryhausen Commentary
The Lost Spider Pit Sequence
A masterpiece and one of the top moneymakers of the 1930s. Fortune-hunters travel to Skull Island in search of the fabled giant ape "King Kong." Enticing him with the lovely Fay Wray they capture him and bring him back to New York where he escapes and ransacks the city searching for her.
While shooting a jungle movie on the remote Skull Island, filmmaker Denham and his crew stumble upon a prehistoric world populated by dinosaurs and giant snakes. The most dangerous and magnificent of all the unusual and exotic creatures is "King Kong," a fifty-foot gorilla. Using gas bombs, Denham subdues the beast and brings him to New York City, where Kong goes on a rampage, destroying everything in his past and kidnapping a beautiful young actress.
Essential Cinema |
Love Story |
New York City |
Theatrical release: March 2, 1933 (NY).
KING KONG was added to the Library of Congress National Film Registry in 1991.
The story originated with writer Edgar Wallace, who died before the film's 1933 release.
Despite Kong's apparent death at the end of the 1933 classic, the tale of a giant ape set loose on the modern world has been retold many times since. The quickie sequel, SON OF KONG, was released in 1933 and shared director Ernest B. Schoedsack, special effects man Willis O'Brian and star Robert Armstrong with the first film. Armstrong joined Helen Mack and Victor Wong on a trip back to Skull Island, where they discover Kong's young son.
In 1949, Schoedsack, O'Brian, and Armstrong went back to the well once more and retrieved MIGHTY JOE YOUNG, about another giant monkey. O'Brian shared effects duties with Ray Harryhausen this time out and Armstrong was joined in the cast by Terry Moore, Ben Johnson, Frank McHugh, and "Mr. Joseph Young."
Japanese director Inoshira Honda produced a pair of mid-1960s KONG movies, KING KONG ESCAPES and KING KONG VS. GODZILLA.
Dino de Laurentiis produced an extravagant and largely unsuccessful remake of KING KONG in 1976. It was directed by John Guillermin with effects by Rick Baker. Jeff Bridges, Charles Grodin, John Randolph, and Rene Auberjonois starred in the film, which also featured the film debut of model Jessica Lange. De Laurentiis and Guillermin also produced a 1986 sequel that was aptly titled KING KONG LIVES, which starred Brian Kerwin, Linda Hamilton, John Ashton, and Peter Michael Goetz. In this film, a pair of scientists find the resurrected gorilla a giant mate and battle those who would destroy the beast.
Before KING KONG, Willis O'Brian worked on the 1925 film THE LOST WORLD. Based on the Arthur Conan Doyle tale, this silent classic tells the story of a group of scientists who stumble on a prehistoric world of dinosaurs and other presumably extinct creatures while on a museum outing. It was directed by Harry Hoyt and starred Bessie Love, Wallace Beery, and Lewis Stone. Disaster-movie king Irwin Allen produced a 1960 remake that starred Michael Rennie, Jill St. John, David Hedison, Claude Rains, Fernando Lamas, and Richard Haydn.
Stop-motion animation was used to create the 50-foot Kong out of six 18-inch models. These models were constructed out of rubber and rabbit fur over a metal skeleton. For close-ups, the filmmakers created a full-scale hand and 20-foot model of Kong's head and shoulders and covered them in bear hides.
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