Los Angeles Times - 12/30/2009
"[T]ense, provocative and unnerving....[The film] could be considered a culmination of this difficult director's brilliant career."
Entertainment Weekly - 01/08/2010
"Shot in vivid black and white, the movie is like VILLAGE OF THE DAMNED directed by Ingmar Bergman..." -- Grade: B-
New York Times - 12/30/2009
"[Haneke] uses the sharp elegance of Christian Berger's monochrome cinematography, the grammatical precision of old-fashioned speech and the pageantry of period drama to lull and also to inflame the audience's expectations."
A.V. Club - 12/30/2009
"Shot with dry discipline in striking black and white, the deliberately paced, consistently unnerving film invites viewers into every corner of its town..." -- Grade: A
USA Today - 01/07/2010
"THE WHITE ROOM is an artful examination of a small town and small-mindedness and the potential for full-blown, large-scale evil."
Wall Street Journal - 01/08/2010
"[S]evere and eerily beautiful....Mr. Haneke's film is accessible, though its pace is deliberate and its affect muted."
Rolling Stone - 01/21/2010 3.5 stars out of 4 -- "Shot in stunning black-and-white by the gifted Christian Berger, THE WHITE RIBBON is a toxic blossom of images that burn into your memory..."
Movieline - 12/31/2009
"Everything about the film's masterfully executed aesthetic suggests harmony, order, the absence of extremes, exquisite deliberation...director Michael Haneke teases dread and uncertainty from classical form."
Chicago Sun-Times - 01/13/2010 4 stars out of 4 -- "The film is visually masterful....THE WHITE RIBBON tells a simple story in a village about little people and suggests that we must find a balance between fear and security."
Uncut - 11/30/2009 4 stars out of 5 -- "Its lack of resolution is one reason the movie lingers, along with its stunning cinematography and unsettling performances, particularly from the children at the movie's heart."
Controversy-courting director Michael Haneke (CACHÉ) earned the Palm d'Or at Cannes in 2009 for this arresting drama set just before World War I. In a small German village, a number of unexplained accidents beset the schoolchildren and their parents. Though they at first appear coincidental, it begins to seem that they are not, in fact, accidents at all.
20th Century |
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