Personnel includes: Ann Hampton Callaway (vocals); Jay Berliner (guitar); Richard Rodney Bennett, Lee Musiker (piano, keyboards); Bill Charlap (piano); Doug Katsaros (keyboards); Dave Finck, Chip Jackson, Jay Leonhart (bass); Dave Ratajczak, Terry Clarke (drums); Dale Gordon (percussion).
Recorded at Sound On Sound Studio and Kampo Audio, New York, New York from February to April 1994. Includes liner notes by Ann Hampton Callaway.
Personnel: Ann Hampton Callaway (vocals); Jay Berliner (guitar); Joyce Hammann, Laura Seaton (violin); Lou Marini (fiddle, saxophone); Racheal Evans (viola); Mary Wooten (cello); Darmon Meader (soprano saxophone); Marvin Stamm (flugelhorn); Lee Musiker (piano, keyboards); Richard Rodney Bennett , Bill Charlap (piano); Doug Katsaros (keyboards); Dave Ratajczak, Terry Clarke (drums); Dale Gordon (percussion).
Audio Mixer: Cynthia Daniels.
Recording information: Kampo Audio, New York, NY (02/1994-04/1994); Sound on Sound, New York, NY (02/1994-04/1994).
Photographer: Paul Greco.
Arrangers: Doug Katsaros; Richard Rodney Bennett ; Lee Musiker.
If, as they say, "variety is the spice of life," Ann Hampton Callaway's second album forDRG is especially piquant. On a program of 14 numbers, including five she composed, Callaway brings a flock of people into the studio. There are three arrangers, including the eminent composer Richard Rodney Bennett, four different piano players, and at least three rhythm-section players along with an assortment of reeds, horns, and strings. The result is an interesting potpourri of more than 55 minutes of swirling but assured and confident singing. Although there's an assortment of arrangers, to their credit their charts complement and reinforceCallaway's vocal strengths. She has a way -- at least on some cuts -- of creating an almost eerie atmosphere with her voice, bringing to mind hazy afternoons and hushed foggy evenings with her voice floating overhead. Aiding and abetting in creating this atmosphere are not only the arrangers, but the musicians. Lou Marini's delicate flute and carefree alto sax are prominent on a slower than usual "How Long Has This Been Going On?" There's a jungle music-like introduction to the Callaway-penned title tune, "Bring Back Romance," then seguing into a soft rock tempo. Some of the arrangements on this CD are complex, but there are less ornate tracks like a jumping "There Will Never Be Another You," with Lee Musiker's piano providing the bulk of the support. Callaway's straight-ahead way with lyrics comes through loud (figuratively speaking) and clear on a jazzy "You Go to My Head," again with Marini's flute fluttering in the background before he takes out his sultry tenor. This track is one of the album's highlights, along with an upbeat and bouncy "It Could Happen to You." The result of all this is something for everybody, from heavily embellished arrangements through very emotional renditions like "My Shining Hour" to comparatively simple and basic jazz singing. Each track is like the weather. If you don't like it now, wait a few minutes and it will change. ~ Dave Nathan