Little Steven Men Without Women
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- by Southside Johnny ~ I Don't Want to Go Home / This Time It's for Real / Hearts of Stone ~ $16.60
- Released: February 25, 1991
- Originally Released: 1991
- Label: Razor & Tie
Q - 7/95, p.1463 Stars - Good - "...an unsurprising mixture of supercharged soul, R&B, swinging horn sections, rocking guitars and tingling ballads--presided over by Little Steven's convincingly imploring vocalising....his passion overwhelms."
- 1.Lyin' in a Bed of Fire
- 2.Inside of Me
- 3.Until the Good Is Gone
- 4.Men Without Women
- 5.Under the Gun
- 6.Save Me
- 7.Princess of Little Italy
- 8.Angel Eyes
- 10.I've Been Waiting
Full performer name: Little Steven & The Disciples Of Soul.
Personnel: Little Steven (vocals, guitars); Danny Federici (accordion, organ); Keven Kavanaugh (piano); Felix Cavaliere (piano, organ); Rusty Cloud (organ); Garry Tallent (bass); Jean Beauvoir (bass, background vocals); Max Weinberg, Dino Danelli (drums); Monti Louis Ellison (percussion, berimbau, d'jembe); Sammy Figeroa, Manolo (percussion); Ben Newberry (chimes); Bob Werner (tambourine); Gary U.S. Bonds, Clarence Clemons, J.T. Bowen (background vocals).
Recorded at The Power Station and The Hit Factory, New York, and Clover Studios, Los Angeles, California.
Composer: Steven Van Zandt.
Personnel: Little Steven & the Disciples of Soul (vocals, guitar); Steven Van Zandt (vocals, guitar); Monti Louis Ellison (berimbau, djembe, percussion); Stan Harrison (flute, tenor saxophone); Danny Federici (accordion, organ); Ed Manion (baritone saxophone); Michael Spengler, Mark Pender (trumpet); La Bamba (trombone, background vocals); Richie Rosenberg (trombone); Felix Cavaliere (piano, organ); Kevin Kavanaugh (piano); Rusty Cloud (organ); Dino Danelli, Max Weinberg (drums); Bob Werne (tambourine); Manolo, Sammy Figueroa (percussion); Benjamin Newberry (chimes); Clarence Clemons , J.T. Bowen, Gary "U.S." Bonds, Jean Beauvoir (background vocals).
Photographer: Jim Marchese.
Unknown Contributor Role: Zoe Yanakis.
Arranger: Miami Steve.
Anyone who has ever saw Bruce Springsteen and the E Street Band between 1975 and 1981 knows one of the reasons they were among the best live bands in America is they had three members with the power and charisma to make great frontmen -- Springsteen, Clarence Clemons, and "Miami Steve" Van Zandt. In 1982, while Springsteen was laboring over Born in the U.S.A., Van Zandt -- who'd already proved his considerable chops as a producer, songwriter, and arranger working with Southside Johnny and the Asbury Jukes and Gary U.S. Bonds -- stepped away from the E Street Band to launch a solo project, Little Steven & the Disciples of Soul, and in many ways the first Little Steven album, Men Without Women, is the finest album the Asbury Jukes never made. Like the Jukes best work, Men Without Women blends the muscle and swagger of Jersey shore rock & roll with the horn-fueled heart and soul of classic R&B, and here Van Zandt was willing to push himself further in both directions at once. With a five-piece horn section blazing throughout (featuring Richie "La Bamba" Rosenberg leading a crew of former Jukes brass players) and former Rascals Dino Danelli and Felix Cavaliere on hand, this album's blue-eyed soul credentials are unimpeachable, but Van Zandt's guitar (and Jean Beauvior's bass) speak with the sound and fury of a true roots rock rebel. While Van Zandt's songwriting was always impressive, Men Without Women's best moments expressed a degree of passion, vulnerability, and determined fervor he hadn't quite permitted himself in the past (he also began to express the political concerns that would dominate his later work on "Under the Gun"), and if Van Zandt was a less precise vocalist than "Southside" Johnny Lyon, the gritty sincerity and emotional force of his performances more than made up for it. On Men Without Women, Little Steven & the Disciples merged the brassy swing of a classic Motown side with the sweaty blare of a amped-up garage band, and if that sounds like an odd combination, in both soul and garage rock, commitment is what counts, and Little Steven had that to spare -- along with a set of really great songs. ~ Mark Deming
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