- Fantasy Warehouse Clearance Sale product may be specifically marked for one-way sale
- Released: March 27, 2001
- Label: Prestige
- 1.Brother Elijah
- 2.Doot Dat
- 3.Stompin' at the Savoy
- 6.The Good Life
- 7.Days of Wine and Roses
- 8.As Long as She Needs Me
- 9.Fly Me to the Moon
- 10.Angel Eyes
- 11.Troubled Times
- 12.Walk Right In
Originally released as GREASE N' GRAVY and THE GOOD LIFE.
Personnel includes: Willis Jackson (tenor saxophone); Pat Martino (guitar); Frank Robinson (trumpet); Carl Wilson (organ); Leonard Gaskins (bass); Joe Hadrick (drums).
Recorded in May, 1963.
Personnel: Willis "Gator" Jackson (tenor saxophone); Pat Martino (guitar); Frank Robinson (trumpet); Carl Wilson (organ); Joe Hadrick (drums).
Audio Remasterer: Joe Tarantino.
Liner Note Author: Michael Rozek.
Recording information: Englewood Cliffs, NJ (05/23/1963-05/24/1963).
This combines two LPs, Grease 'n' Gravy and The Good Life, both cut at sessions on May 23 and May 24 of 1963, onto a single CD. Both feature a quintet of Willis "Gator" Jackson, Carl Wilson (not the Beach Boys guitarist) on organ, Pat Martino on guitar, Frank Robinson on trumpet, and Joe Hadrick on drums; Leonard Gaskin added bass to about half the tracks. Grease 'n' Gravy is respectable, not-too-cool and not-too-hot early-'60s organ-sax jazz, with Wilson's organ and the still-teenaged Martino's guitar as vital to the success of the date as Jackson's tenor sax. Except for a three-minute revival of "Stompin' at the Savoy," most of the grooves settle in for a half-dozen minutes or so, with the up-tempo "Brother Elijah" and "Grease" working best. They play a smoldering, soulful slow strut for eleven-a-half minutes on "Gra-a-a-vy," though. The Good Life is pleasing, if unsurprising, early-'60s organ soul-jazz with a good balance between brass, organ, and guitar, perhaps more useful as club groove music than home listening. They verge on cooking when the rhythm gets choked on "Troubled Times" (the sole original), and the version of "Fly Me to the Moon" has some lively exuberance (and a Latin rhythm) not matched by the other tracks. Indeed, "Days of Wine and Roses" and "Walk Right In" are kinda hokey choices for the organ soul-jazz repertoire. In comparing Grease 'n' Gravy to The Good Life, The Good Life is at a disadvantage, due to its greater reliance on covers of pop standards. ~ Richie Unterberger