Big Joe Turner
Boss of The Blues Sings Kansas City Jazz
From the Vaults of Atlantic Records (series)
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Out of Print: Future availability is unknown
sku: COL 6327
- Recording Engineer: Len Frank
- Supervision: Nesuhi Ertegun and Jerry Wexler
- Released: March 14, 2006
- Originally Released: 2002
- Label: Collectables Records
- Original Album: Atlantic SD 1234 (1956)
Description by OLDIES.com:
This 1956 Atlantic release features Big Joe Turner covering some of his early songs, including "Cherry Red" and "Wee Baby Blues." On this album, he's backed by Joe Newman on trumpet, Lawrence Brown on trombone, Pete Brown on alto sax, Frank Wess on tenor sax, Pete Johnson on piano, Freddie Greene on guitar, Walter Page on bass and Cliff Leeman on drums.
- 1.Cherry Red
- 2.Roll 'Em Pete
- 3.Little Girl
- 4.Low Down Dog
- 5.Wee Baby Blues
- 6.You're Driving Me Crazy
- 7.How Long
- 8.Morning Glories
- 9.St. Louis Blues
- 10.Piney Brown Blues
Personnel: Big Joe Turner (vocals); Freddie Green (guitar); Pete Brown (alto saxophone); Seldon Powell, Frank Wess (tenor saxophone); Joe Newman, Jimmy Nottingham (trumpet); Lawrence Brown (trombone); Pete Johnson (piano); Walter Page (bass); Cliff Leeman (drums).
Originally released on Atlantic (1234). Includes liner notes by Whitney Balliett.
Personnel: Big Joe Turner (vocals); Freddie Green (guitar); Pete Brown (alto saxophone); Frank Wess, Seldon Powell (tenor saxophone); Joe Newman , Jimmy Nottingham (trumpet); Lawrence Brown (trombone); Pete Johnson (piano); Cliff Leeman (drums).
Liner Note Author: Whitney Balliett.
Recording information: Carnegie Recital Hall; New York, NY.
Arranger: Ernie Wilkins.
Widely considered to be one of Big Joe Turner's finest albums, 1956's THE BOSS OF THE BLUES finds the hefty Missouri-born singer working through the blues in Kansas City jazz style. Turner is reunited with his old partner from the '30s and '40s, pianist Pete Johnson, making this a particularly poignant recording. As in their earlier days, Turner's booming voice and Johnson's boogie-tinged piano lines complement each other perfectly, as best revealed on lightly swinging reworkings of signature tunes such as "Low Down Dog" and "Wee Baby Blues." These songs were notable departures from Turner's proto-rock-&-roll hits of that era ("Shake, Rattle and Roll," "Honey Hush," etc.), proving that he was equally at home with blues, jazz, and (what would become) rock. In addition to the stellar performances by Turner and Johnson, BOSS also features a tight backing ensemble consisting of veterans of Count Basie's band, including tenor saxophonist Frank Wess and trumpeter Joe Newman.
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