Ian Anderson Homo Erraticus
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- Released: April 14, 2014
- Originally Released: 2014
- Label: Kscope
Mojo (Publisher) - p.953 stars out of 5 -- "[T]he folky tune 'Heavy Metals' is charming."
- $1.29 on iTunes1.Doggerland
- $1.29 on iTunes2.Heavy Metals
- $1.29 on iTunes3.Enter the Uninvited
- $1.29 on iTunes4.Puer Ferox Adventus
- $1.29 on iTunes5.Meliora Sequamur
- $1.29 on iTunes6.The Turnpike Inn
- $1.29 on iTunes7.The Engineer
- $1.29 on iTunes8.The Pax Britannica
- $1.29 on iTunes9.Tripudium Ad Bellum
- $1.29 on iTunes10.After These Wars
- $1.29 on iTunes11.New Blood, Old Veins
- $1.29 on iTunes12.In for a Pound
- $1.29 on iTunes13.The Browning of the Green
- $1.29 on iTunes14.Per Errationes Ad Astra
- $1.29 on iTunes15.Cold Dead Reckoning
Song previews provided courtesy of iTunes
Personnel: Ian Anderson (vocals, acoustic guitar, flute); Ryan O'Donnell (vocals); Florian Opahle (electric guitar); John O'Hara (accordion, piano, keyboards); David Goodier (bass guitar); Scott Hammond (drums).
Audio Mixer: Jakko M. Jakszyk.
Liner Note Authors: Gerald Bostock ; Ian Anderson .
Photographer: Carl Glover .
Two years after Thick as a Brick 2, an explicit 2012 sequel to the 1972 prog classic, Ian Anderson embarked on another ambitious journey, this time assembling a concept record called Homo Erraticus. A loose -- very loose -- album based on a "dusty, unpublished manuscript, written by local amateur historian Ernest T. Parritt (1873-1928)," Homo Erraticus is an old-fashioned prog record: it has narrative heft and ideas tied to the '70s, where jazz, classical, folk, orchestral pop, and rock all commingled in a thick, murky soup. Divorced from Tull, Anderson favors fruitiness -- he likes ripe melodies and baroque arrangements that showcase either his flute or the dexterity of his band -- and if the music by and large isn't as forceful as Aqualung, partially due to the absence of muscular musicians, it nevertheless demonstrates a clear-eyed conception that is in the same lineage. Yes, the production on Homo Erraticus is too precise -- there's too much air, there's too much room to roam, decisions that diminish the impact of the music -- but the contours of the compositions deliberately and delicately recall classic Tull, so Homo Erraticus winds up satisfying: it's as close to '70s prog as is possible in 2014. ~ Stephen Thomas Erlewine
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