Chucho Valdes Bele Bele en la Habana
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- Released: June 30, 1998
- Label: Blue Note Records
- 1.Son Montuno
- 3.But Not For Me
- 4.Con Poco Coco
- 5.El Cumbanchero
- 6.Tres Lindas Cubanas
- 7.La Sitiera
- 8.Los Caminos
Personnel: Jesus "Chucho" Valdes (piano); Alain Perez (vocals, acoustic bass); Raul Pineda Roque (drums); Roberto Vizcaino Guillot (percussion).
Recorded at McClear Pathe Studio, Toronto, Canada on January 12 & 13, 1998.
Includes liner notes in English and Spanish by Leonardo Acosta.
BELE BELE EN LA HABANA was nominated for a 1999 Grammy for Best Latin Jazz Performance.
Issued just after his landmark two-week June 1998 gig at the Village Vanguard and subsequent U.S./Canada tour, Chucho Vald‚s' first album for Blue Note bears out a lot of the hype surrounding this hugely gifted Cuban pianist. Unlike many of today's younger Cuban keyboard hotshots, Vald‚s not only has great technical chops and musical erudition, he manages to stay closely tied to his Cuban rhythmic roots. Thus, he employs a Cuban percussionist Roberto Vizcaino Guillot along with the standard bass (Alain P‚rez Rodriguez) and drums (Ra£l P¡¤eda Roque), which dramatically increases the possibilities for rhythmic experiments. Vald‚s more often than not is all over the keyboard, comfortable with everything from Ravel-ian classical complexity to Bill Evans' introspection to Cecil Taylor-like crunches. But there are surprisingly few wasted motions; all of the notes fit. He creates tremendous excitement on "Con Poco Loco" (which ends with a sly steal from "Giant Steps"), and suddenly breaks into a cornucopia of European stream-of-consciousness fireworks before returning to Cuba on "Son Montuno." However, the best moments on Bele Bele en La Habana come when Vald‚s hooks his fire-eating technique into the groove and doesn't let go. "El Cumbanchero" contains some sudden rhythmic shifts that will have you leaping out of your chair, and "Tres Lindas Cubanas" gradually builds a great head of steam. This CD will give you a much better idea of Vald‚s' pianistic capabilities than any of his records with Irakere. On a political level, it is interesting and disheartening to note that Vald‚s recorded this album in Toronto under the auspices of EMI Music Canada; a direct signing with Blue Note would have exposed the American company to charges of trading with the enemy. Obviously, as of 1998, the Cold War was not completely over. ~ Richard S. Ginell
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