Ike Quebec It Might as Well Be Spring [RVG Edition]
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- Released: August 14, 2006
- Originally Released: 2006
- Label: Blue Note Records
- 1.It Might as Well Be Spring
- 2.A Light Reprieve
- 3.Easy - Don't Hurt
- 4.Lover Man
- 5.Ol' Man River
- 6.Willow Weep for Me
Personnel: Ike Quebec (tenor saxophone); Freddie Roach (organ); Milt Hinton (bass); Al Harewood (drums).
Producer: Alfred Lion.
Reissue producer: Michael Cuscuna.
Recorded at the Van Gelder Studio, Englewood Cliffs, New Jersey on December 9, 1961. Originally released on Blue Note (84105). Includes liner notes by Nat Hentoff.
Digitally remastered using 20-bit technology by Ron McMaster.
This is part of Blue Note's Limited Edition Connoisseur series.
Personnel: Ike Quebec (tenor saxophone); Ike Quebec; Milt Hinton (upright bass); Freddie Roach (organ); Al Harewood (drums).
Audio Remasterer: Rudy Van Gelder.
Liner Note Author: Bob Bluementhal.
Recording information: Val Gelder Studio, Englewood Cliffs, NJ (12/09/1961).
Photographer: Francis Wolff.
Working with the same quartet that cut Heavy Soul -- organist Freddie Roach, bassist Milt Hinton and drummer Al Harewood -- Ike Quebec recorded another winning hard bop album with It Might As Well Be Spring. In many ways, the record is a companion piece to Heavy Soul. Since the two albums were recorded so close together, it's not surprising that there a number of stylistic similarities, but there are subtle differences to savor. The main distinction between the two dates is that It Might As Well Be Spring is a relaxed, romantic date comprised of standards. It provides Quebec with ample opportunity to showcase his rich, lyrical ballad style, and he shines throughout the album. Similarly, Roach has a tasteful, understated technique, whether he's soloing or providing support for Quebec. The pair have a terrific, sympathetic interplay that makes It Might As Well Be Spring a joyous listen. ~ Stephen Thomas Erlewine
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