Vanessa Rubin Girl Talk
- Fantasy Warehouse Clearance Sale product may be specifically marked for one-way sale
- Released: August 28, 2001
- Originally Released: 2001
- Label: Telarc
Down Beat - 3/02, p.653.5 stars out of 5 - "...Rubin imbues GIRL TALK with unsinkable 'You go, girl!' flair, a soulful, richly textured voice and the nuanced passion of a method actor..."
- 1.Comes Love
- 2.Matchmaker, Matchmaker
- 3.Whatever Happens
- 4.But Not For Me
- 5.One For My Baby (And One More For The Road)
- 6.You'll Never Know ('Til You Let Go)
- 7.Loving You
- 8.Girl Talk
- 9.Sex Is A Misdemeanor (The More You Miss De Meaner You Get)
- 10.Gee Baby, Ain't I Good To You
- 11.Won't Have To Say Goodbye
- 12.If You Ever Go Away
Song previews provided courtesy of iTunes
Personnel: Vanessa Rubin, Etta Jones (vocals); Eric Alexander, Javon Jackson (tenor saxophone); Steve Davis (trombone); Cedar Walton, Larry Willis (piano); David Williams (bass); Lewis Nash (drums).
Recorded at Sear Sound-Studio C, New York, New York on December 11-13, 2000.
Includes liner notes by Devra Hall.
Jazz vocalist Vanessa Rubin is joined by a stellar cast on her second Telarc release. Bassist David Williams and drummer Lewis Nash hold down the rhythm, joined alternately by pianist/arrangers Larry Willis and Cedar Walton, tenor saxophonists Eric Alexander and Javon Jackson, and trombonist Steve Davis. Rubin's flexible voice covers a wide-ranging repertoire, from standards to Sondheim ("Loving You") to adult contemporary (Bill Withers and Larry Carlton's "Whatever Happens"). She also contributes a yearning original ballad, the closing "If You Ever Go Away." The album is memorable mostly for its offbeat tracks, however: a jazz-waltz take on "Matchmaker, Matchmaker" (with the bridge in a snappy four); Walter Bishop's novelty number, "Sex Is a Misdemeanor (The More You Miss, de Meaner You Get)," a perky calypso featuring Rubin's double-tracked vocal with only bass and drums; and the penultimate track, David Williams' endearing "Won't Have to Say Goodbye," which begins and ends with an implied reggae feel but swings in the middle. Rubin also delivers a splendid "One for My Baby" and invites the great Etta Jones for a tˆte-…-tˆte on "But Not for Me" and "Gee, Baby, Ain't I Good to You." ~ David R. Adler
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