- Released: May 10, 1999
- Label: Concord Records
JazzTimes - 8/99, p.110
"...[a] tasty collection...a case study in versatility and the interpretive possibilities of popular song....the ensemble and the arrangements are spot on throughout."
- 1.Laughing at Life
- 2.Something to Live For
- 3.Look for the Silver Lining
- 5.Caminhos Cruzados (Crossed Paths)
- 6.I Wish I Were in Love Again
- 7.I Ain't Gonna Play No Second Fiddle
- 8.Losing Hand
- 9.I Want to Be a Sideman
- 10.Insensatez (How Insensitive) :: How Insensitive
- 11.Phone Call to the Past
- 12.Stop, Time
- 14.Blue Skies
Personnel: Susannah McCorkle (vocals); Dick Oatts (soprano & tenor saxophones, alto flute); Jon Gordon (alto saxophone, flute); Greg Gisbert (trumpet, flugelhorn); John Fedchock (trombone); Allen Farnham (piano); Al Gafa (guitar); Steve Gilmore (bass); Rich DeRosa (drums).
Recorded at Sound On Sound, New York, New York from October 27-29, 1998. Includes liner notes by Scott Yanow.
Personnel: Susannah McCorkle (vocals); Alexander Gafa (guitar); John Gordon, Jon Gordon (flute, alto saxophone); Dick Oatts (alto flute, soprano saxophone, tenor saxophone); Greg Gisbert (trumpet, flugelhorn); John Fedchock (trombone); Allen Farnham (piano); Richard DeRosa (drums, snare drum).
Audio Mixer: Phil Edwards .
Liner Note Author: Scott Yanow.
Recording information: Sound on Sound, New York, NY (10/27/1998-10/29/1998).
Director: Allen Farnham.
Editor: Scott Yanow.
Photographer: Carlos Spaventa.
Arranger: Richard DeRosa.
Susannah McCorkle suceeds where others have failed on her latest release for Concord Jazz titled, From Broken Hearts to Blue Skies. Her silky voice wraps around the classic Billy Strayhorn and Duke Ellington "Something to Live For," like a velvet envelope. Filled with emotional yearning, her interpretations render the listener motionless, rapt in the charisma of her phrasing and nuance. Many of the songs are indicative of broken-hearted love including "Losing Hand," a Ray Charles blues favorite from the '50s about a woman with a man gone astray. But McCorkle changes her tune and rebounds with a vibrant remedy on "I Ain't Gonna Play No Second Fiddle," in classic Bessie Smith style. Susannah McCorkle suceeds as the voice of authority, a voice that has feeling and experience and one that respects the original content of each song. In contrast to her previous releases, the songbook stylist sings a dynamic collection of many songs associated with such artists as Billie Holiday, Antonio Carlos Jobim, Chet Baker and Django Reinhardt. McCorkle's singing is straight from the heart and soul and she's clearly towering in blue skies as one of America's finest interpreters of the classic song. ~ Paula Edelstein