Entertainment Weekly - p.166
"[H]er voice is sweet, reedy, resilient - and winning..." - Grade: B
JazzTimes - pp.136-7
"[S]he provides another vibrant chapter to her luminous history while providing us with a superb reminder that jazz-worthy standards don't begin and end with Cole Porter."
Producers: Nick Phillips, Karrin Allyson, Gil Goldstein.
Personnel: Karrin Allyson (vocals, piano, Fender Rhodes piano, percussion); Rod Fleeman (acoustic guitar, electric guitar); Danny Embrey (acoustic guitar); Gil Goldstein (accordion, piano, Fender Rhodes piano, Hammond b-3 organ); Paul Smith (Fender Rhodes piano); Bob Bowman (acoustic bass guitar); Todd Strait (drums, percussion).
It's always a blast hearing the way a child of the '70s will interpret the classics from that era, and the two-time Grammy nominee picks plenty of gems, some mega-popular, others more obscure, to sink her stylized jazzy teeth into. Although she's most celebrated for her interpretations of Gershwin, bossa nova, Monk, and Coltrane, in her liner notes Allyson reminds listeners that she has scattered various similar covers throughout her extensive catalog. Weaving her wistful vocals like a precise thread through the needle-sharp, often sparse piano-based arrangements of Gil Goldstein, she does an admirable job with Cat Stevens, Elton John, and James Taylor, but seems most comfortable and passionate tackling hits by the ladies who no doubt fostered her childhood dreams. She adds elegance and a lightly swinging grace to "Feel Like Makin' Love," offers thoughtful, plaintive twists on two Carly Simon gems, and earns a quote of praise from Melissa Manchester herself for a soulful, rangy rendition of "I Got Eyes." Hands down, however, Allyson's voice is best suited to interpret Joni Mitchell, and her vibrant, alternately restrained and powerful cruises through percussive arrangements of "All I Want" and "Help Me" are the album's true highlights. Since Allyson has made past recordings focused on covers of one artist's material, it wouldn't be fantasizing too much to want her at some point to do an all-Mitchell tribute. She's at her wildest when she's taking chances. ~ Jonathan Widran