- Number of Discs: 2
- Released: April 6, 1998
- Label: Concord Records
Tracks on Disc 1:
- 1.Benedetto Blues
- 2.I'm Glad There Is You
- 3.Something Latin For Patterson
- 4.Polkadots And Moonbeams
- 5.Terrie's Tune
- 8.Manoir De Mes Reves
- 9.Crushed Pepper
- 10.I Can't Give You Anything But Love
- 11.64 Bars On Wilshire
Tracks on Disc 2:
- 1.Look For The Silver Lining
- 2.The Shadow Of Your Smile
- 3.Good News Blues
- 4.Honeysuckle Rose
- 5.Happiness Is The Concord Jazz Festival
- 7.Georgia On My Mind
- 8.Love For Sale
- 9.Bad News Blues
FULL CIRCLE includes a special bonus disc, JAZZ/CONCORD, featuring Herb Ellis and Joe Pass. JAZZ/CONCORD, issued in 1973, was the first Concord Jazz LP and the first recording produced by Carl Jefferson, whose final production was FULL CIRCLE.
FULL CIRCLE personnel: Howard Alden, Jimmy Bruno (guitar); Michael Moore (bass); Alan Dawson (drums).
JAZZ/CONCORD personnel: Herb Ellis, Joe Pass (guitar); Ray Brown (bass); Jake Hanna (drums).
Personnel: Howard Alden (guitar); Jimmy Bruno (guitar); Herb Ellis, Joe Pass (guitar); Jake Hanna, Alan Dawson (drums).
Audio Mixer: Phil Edwards .
Liner Note Author: Philip Elwood.
Recording information: Sound on Sound, New York, NY (07/??/1972-03/21/1995); Wally Heider Studios, LA, CA (07/??/1972-03/21/1995).
Photographers: Teri Bloom; Bruce Burr.
For its 25th anniversary in 1998, Concord Jazz came up with a unique package comprised of the first and last sessions that label founder Carl Jefferson produced. Jefferson was nothing if not consistent in his vision from beginning to end, for both albums were guitar duo sessions in a mainstream idiom with bass and drums. Flashing back a quarter of a century, Jazz/Concord (CJ-1) is a battle royal -- with the distinct personalities of easy-bopping, quote-happy Herb Ellis and all-over-the-place Joe Pass tumbling over and around each other as Ray Brown (bass) and Jake Hanna (drums) urge them on. They rarely have sounded happier than they do on Coleman Hawkins' "Stuffy," swinging like mad. The competitive tension and the informality of the session give this first Concord item a rough-and-ready atmosphere, almost like a live jam caught on the wing. Armed with a most appropriate and ironic title, Full Circle finds Howard Alden and Jimmy Bruno continuing the Ellis/Pass dialogue on two custom-built seven-string guitars in a friendlier, smoother, often ebullient manner. Both put on marvelously fluid hard bop displays; Alden has the mellower tone, while Bruno's sound is more brilliant in a Les Paul manner -- sort of a gold-and-silver contrast. They also come up with some fine original tunes; Alden's "Terrie's Tune" bounces along merrily on a hard bop roll, while Bruno comes up with a happy-go-lucky original called "Crushed Pepper." Michael Moore (bass) and Alan Dawson (drums) provide the solid, flexible rhythm support, but the two guitarists often choose to go it alone. While the differences in sound quality, production sophistication, and personalities of the principals on these two albums are vast, one could easily conclude that jazz has stood perfectly still at Concord all these years, becoming more polite and polished but no less enjoyable. Since this double-CD set is available at a two-for-one price -- with Jazz/Concord basically being thrown in free -- guitar buffs ought to rush out and grab it. ~ Richard S. Ginell