Clarence Williams Baby, Won't You Please Come Home?
- Released: July 30, 2001
- Label: Asv Living Era
- 1.Baby, Won't You Please Come Home?
- 2.Gulf Coast Blues - (with Bessie Smith)
- 3.Wild Cat Blues
- 4.Kansas City Man Blues
- 5.'Tain't Nobody's Bus'ness If I Do
- 6.Everybody Loves My Baby
- 7.Mandy, Make Up Your Mind
- 8.Cake Walking Babies From Home
- 9.Papa De-Da-Da
- 10.Gravier Street Blues
- 11.Candy Lips I'm Stuck On You
- 12.Cushion Foot Stomp
- 13.Red Hot Flo From Ko-Ko-Mo
- 14.Church Street Sobbin' Blues
- 15.Wild Flower Rag - (Piano Solo)
- 16.West End Blues - (with Ethel Waters)
- 17.Organ Grinder Blues - (with Ethel Waters)
- 18.In The Bottle Blues
- 19.Breeze, Blow My Baby Back To Me
- 20.Whoop It up
- 21.I've Found A New Baby - (with James P. Johnson)
- 22.Worn Out Blues - (with Eva Taylor)
- 23.He Wouldn't Stop Doin' It
- 24.Shout, Sister, Shout
- 25.Dispossessin' Me
Personnel includes: Clarence Williams (vocals, piano); Bessie Smith, Eva Taylor (vocals); Louis Armstrong, Sidney Bechet (trumpet); King Oliver, Red Allen, Eddie Lang, Louis Metcalfe, Buster Bailey, Don Redman, Prince Robinson.
Personnel: Clarence Williams (vocals, piano); Eva Taylor, Bessie Smith (vocals); Ikey Robinson (guitar); Buddy Christian , Goldie Lucas, Leroy Harris (banjo); Albert Socarras, Russell Procope (clarinet, alto saxophone); Cecil Scott, Benny Moten , Ben Whitted (clarinet); Sidney Bechet, Buster Bailey (soprano saxophone); Bingie Madison, Henry Jones (alto saxophone, tenor saxophone, baritone saxophone); Don Redman, Fred Skerritt (alto saxophone); Arville Harris (tenor saxophone); Ward Pinkett, Bill Dillard (trumpet); Ed Allen, Louis Armstrong, Thomas Morris (cornet); Aaron Thompson, Jimmy Archey, John Mayfield, Wilbur De Paris, Ed Cuffee, Charlie Irvis (trombone); Cyrus St. Clair (tuba); Gene Rodgers, Herman Chittison (piano); George Stafford, Bill Beason (drums); Floyd Casey (washboard); Justin Ring (percussion).
Audio Remasterer: Tim Debney.
Liner Note Author: Vic Bellerby.
Recording information: New York, NY (02/16/1923-08/18/1933).
Photographer: Laurie Wright.
Afro-Creole-Choctaw-American pianist, vocalist, washboard percussionist, comedian, composer, producer, music publisher, accompanist, and bandleader Clarence Williams played a crucial role in the development of jazz and blues in New York City during the 1920s. Often using one-shot pseudonyms for his bands and combining players from New Orleans, St. Louis, Kansas City, and Chicago with the cream of Harlem's entertainment scene, Williams presided over an astonishing number and variety of blues and jazz recording sessions between the years 1921 and 1937. Williams had an uncanny ability to get his name onto other people's tunes as co-composer simply by virtue of having published the song in question. (Note for example that "Wild Cat Blues," 19-year-old Fats Waller's first important published song, has Williams' name inserted before Waller's.) On February 16, 1923, not long after settling in New York, Williams provided piano accompaniment for archetypal blues singer Bessie Smith (who had come to New York with Williams) on her very first session for Columbia Records. The inclusion of their rendition of Williams' own "Gulf Coast Blues" may be savored as a glowing example of the many dozens of accompaniments he provided for a large number of blues vocalists. The Blue Five sessions of 1923-1925 resulted in a series of records that are regarded by historians as cardinal achievements in early jazz. The presence of young Louis Armstrong and soprano saxophonist Sidney Bechet has kept these recordings in relatively perpetual availability for decades. Seasoned early jazz heads will also thrill to the sounds of cornetist Thomas Morris, trombonist Charlie Irvis, Buster Bailey playing soprano, and Don Redman blowing the alto sax. The other important presence on many of these sides is vocalist Eva Taylor, who had married Clarence Williams in 1921. This excellent compilation proceeds chronologically, featuring quite a number of washboard-driven ensembles, Williams' solo piano realization of his own "Wildflower Rag," a pair of duets he waxed with singer Ethel Waters, and the marvelous "In the Bottle Blues" with cornetist King Oliver, guitarist Eddie Lang, and percussionist Justin Ring, who spices up the proceedings with a small crash cymbal while using a gin bottle as a drum. Clarence Williams and James P. Johnson recorded "I've Found a New Baby" on January 31, 1931. This two-piano vaudeville routine, rich in humor as well as Harlem stride piano, is the flip side of the better-known and even funnier "How Could I Be Blue?," which can be found on Living Era's excellent James P. Johnson compilation, Carolina Shout. ~ arwulf arwulf
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