BLUES IN BE BOP includes a 12-page booklet with liner notes by Doug Ramsey.
Personnel includes: Kenny Dorham (trumpet); Billy Eckstine (vocals); Sonny Stitt (saxophone); Charlie Parker (alto saxophone); Billy Mitchell (tenor saxophone); Cecil Payne (baritone saxophone); Julius Watkins (French horn); Milt Jackson (vibraphone); Al Haig, Duke Jordan, Bud Powell (piano); Curley Russell (bass); Max Roach, Kenny Clarke, Wallace Bishop (drums).
Compilation producers: Orrin Keepnews, Steve Backer.
All tracks have been digitally remastered.
Personnel: Kenny Dorham (trumpet); Billy Eckstine (vocals); Connie Wainwright (guitar); Norris Turney, Sonny Stitt, Charlie Parker (alto saxophone); Gene Ammons (tenor saxophone); Tate Houston, Cecil Payne (baritone saxophone); Boonie Hazel, Raymond Orr (trumpet); Julius Watkins (French horn); Robert Scott , Gerald Valentine (trombone); Milt Jackson (piano, vibraphone); Duke Jordan, Al Haig, Bud Powell (piano); Kenny Clarke, Max Roach, Art Blakey, Art Taylor, Wallace Bishop (drums).
Liner Note Author: Doug Ramsey.
Recording information: New York, NY (01/03/1946-05/22/1956).
Photographers: Chuck Stewart; Bob Parent.
Unknown Contributor Role: Dan Morgenstern.
Kenny Dorham was a solid and forward-thinking modernist when he emerged in the mid-to late 1940s. The trumpeter was overshadowed throughout his career by the likes of Dizzy Gillespie, Miles Davis, Clifford Brown, Lee Morgan, and Freddie Hubbard, and became the epitome of the word "underrated." Dorham never recorded as a leader for Savoy other than co-leading the Be Bop Boys with altoist Sonny Stitt, so this single CD is just a sampling of his sideman appearances. Definitely not for completists since all but the Bebop Boys date issued here are incomplete, one wonders who the disc is aimed at, particularly since Dorham's most significant work was made a little later on for Blue Note. The trumpeter is heard with the Billy Eckstine Orchestra playing "The Jitney Man"; performing eight numbers (plus two alternate takes) with the Be Bop Boys (a quintet also including altoist Stitt and pianist Bud Powell); on three songs with a band headed by vibraphonist Milt Jackson and including the pioneer jazz French horn player Julius Watkins; on three tunes from a February 12, 1949 broadcast by the Charlie Parker Quintet (and available in much more complete form elsewhere), and on four of the selections from a 1956 album by baritonist Cecil Payne. The bop and hard bop music heard throughout this CD is consistently enjoyable, but the reissue is a bit of a frivolity. The Be Bop Boys date should have been coupled with some other unrelated all-star sessions instead, with the other Dorham sideman dates being reissued in full in more logical sets. ~ Scott Yanow