Frankie "Half Pint" Jaxon The Complete Recorded Works, Volume 3: 1937-1940
- Released: September 1, 1994
- Label: Document
- 1.When A Woman Gets The Blues
- 2.She Loves So Good
- 3.Riff It
- 4.Some Sweet Day
- 5.I'm Gonna Steal You
- 6.I Knocks Myself Out
- 7.They Put The Big Britches On Me
- 8.Don't Pan Me
- 9.Callin' Corrine
- 10.You Can't Put That Monkey On My Back
- 11.Fan It Boogie Woogie
- 12.When They Play Them Blues
- 13.Something's Goin' On Wrong
- 14.Wasn't It Nice
- 15.You Know Jam Don't Shake
- 16.Let Me Ride Your Train
- 17.Be Your Natural Self
- 18.Turn Over
- 19.Take Off Them Hips
- 20.Gimme A Pig's Foot And A Bottle Of Beer
- 21.You Can't Tell
Personnel: Frankie "Half-Pint" Jaxon (vocals); Charlie McCoy , Joe McCoy (guitar); Fess Williams, Odell Rand, Rupert Cole, Barney Bigard (clarinet); Henry "Red" Allen, Herb Morand, Jonah Jones (trumpet); Horrace Malcom, Lil Armstrong (piano); Prince Budda (vibraphone); Fred Flynn, Big Sid Catlett (drums).
Liner Note Author: Jim Prohaska.
Recording information: New York, NY (07/22/1937-04/??/1940).
After cutting records with the Harlem Hamfats in Chicago during the years 1937 and 1938, Frankie "Half Pint" Jaxon made his final recordings in New York City in 1939 and 1940 with bands that included trumpeters Jonah Jones and Henry "Red" Allen, Ellingtonians Barney Bigard and Wellman Braud, and veteran pianist Lil Hardin Armstrong. Although Half Pint's old-time sense of humor is fully present with songs like "They Put the Big Britches on Me," "Take Off Them Hips," "Turn Over," "Let Me Ride Your Train," "You Know Jam Don't Shake," and "You Can't Put That Monkey on My Back," he came across more smoothly backed by some of the Apple's best instrumentalists playing Harlem-styled swing. The highly sexualized "She Loves So Good" is an update of a profoundly lewd and libidinous original that Half Pint recorded a few years earlier with Tampa Red's Hokum Jug Band, along with a steamily erotic version of Leroy Carr's "How Long, How Long Blues." The third and last volume in Document's chronological history of Frankie Jaxon also contains a boogie-woogie adaptation of Half Pint's theme song, "Fan It," which was fast becoming a hit for artists as diverse as Woody Herman and Bill Boyd's Cowboy Ramblers. Jaxon is said to have quit performing in 1941, whereupon he secured a steady job as a United States government worker in the Pentagon. Transferred to Los Angeles in 1944, he either died there shortly afterwards or survived all the way into 1970, depending upon which biographical sources you wish to believe. When in 1994 Document reissued no less than 69 recordings by this amazing entertainer, few people realized what a precious gift had been bestowed upon an unsuspecting public. Watch out for Half Pint, this little guy is dynamite. His sense of humor and passionate delivery is likely to grow on you. ~ arwulf arwulf
The Complete Recorded Works, Volume 3: 1936-1937 (CD)
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