- Released: June 2, 2003
- Label: Green Linnet
- 1.Cregg's Pipes
- 2.Welcome Home
- 3.Harp and Shamrock
- 4.Fest Noz
- 5.Spoil the Dance
- 6.A Stor Mo Croi
- 7.Dublin to Dingle
- 8.Lady Ellen
- 9.Cotati Nights
- 10.Two-Fifty to Vigo
- 11.Temple Hill
Lunasa: Donogh Hennessy (guitar, whistle); Sean Smyth (fiddle, whistle); Kevin Crawford (flute, whistle); Cillian Vallely (whistle, Uillean pipes); Trevor Hutchinson (bass).
Additional personnel: Jim Higgins (drums, bodhran).
Recorded at Prairie Sun Studios, Cotati, California & Marguerite Studios, Dublin, Ireland.
Personnel: Donogh Hennessy (whistling, guitar); Sean Smyth (whistling, fiddle); Kevin Crawford (whistling, flute); Cillian Vallely (whistling, pipe, Uilleann pipe); Trevor Hutchinson (double bass); Jim Higgins (snare drum, bodhran).
Audio Mixer: Ed Kenehan.
Liner Note Author: Lúnasa.
Recording information: Marguerite Studios, Dublin, Ireland; Prairie Sun Studios, Cotati, CA.
Photographers: Sienna Wildfield; Brad Perks.
Arrangers: Cillian Vallely; Kevin Crawford; Sean Smyth; Trevor Hutchinson; Donogh Hennessy.
A new album from one of the best Irish bands is always a welcome treat. The aim behind Redwood -- recorded in a ten-day break from Lúnasa's 2002 U.S. tour -- was to re-create the feel of their live set in the studio. And they succeed beautifully in that. There's a rare fire and flow to the music -- a piece like "Two-Fifty to Vigo" just slides along smoothly. There's plenty of risk-taking in the arrangements, such as using three whistles on "Spoil the Dance," or the duet between flute and fiddle on the gorgeous "Harp and Shamrock." Lúnasa is masterful at finding good tunes, be they traditional or mod (just witness the wonderful "Lady Ellen" that's simply sweeping). The musicianship is beyond question -- anyone who can make parts as complex as theirs sound easy is highly skilled, indeed. To hear them roar through "Temple Hill" is an absolute joy, negotiating the tricky turns of the melody at a dangerous speed. All the sets sparkle, broken in by being played in concert, the musicians thoroughly familiar with the material, and with what everyone else is going to play. Their previous albums have shown their intent to push Irish music a little and not be satisfied with the status quo; this shows that they really do have the power to remake Irish music in their own image ~ Chris Nickson