The Memphis Barbecue Sessions
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- Released: August 2, 2005
- Originally Released: 2002
- Label: M.C. Records
Down Beat - May 2002, p.563 out ouf 5 stars - "...[Johnson] appears confident and comfortable singing and playing acoustic guitar on traditional blues..."
Living Blues - 5-6/02, p.40"...This outing sounds spontaneous and heartfelt and it bodes well for future projects like this..."
Song previews provided courtesy of iTunes
Personnel: Big Jack Johnson (vocals, acoustic & electric guitars, mandolin, harmonica); Kim Wilson (vocals, guitar, harmonica); Pinetop Perkins (piano);
Mark Carpentieri (drums).
Recorded at Memphis Soundworks, Memphis, Tennessee on October 9-10, 2000. Includes liner notes by Mark Carpentieri.
Personnel: Big Jack Johnson (vocals, guitar, acoustic guitar, electric guitar, mandolin); Kim Wilson (vocals, guitar, harmonica); Pinetop Perkins (piano).
Audio Mixer: Fred Guarino.
Recording information: Memphis Soundworks, Memphis, TN (10/09/2000-10/10/2000).
Photographers: Jef Jaisun; Steve Roberts .
This album is a joy indeed -- a journey inside the blues and down the Mississippi Delta. Johnson's always been an expressive singer, and in such a stripped-down setting his voice becomes more important than ever on classics like "Smokestack Lightning" and "My Babe." His guitar work offers the ideal backdrop, too, never fancy, but juke-joint friendly, serviceable, and offering a strong beat. Bringing in former Fabulous Thunderbirds frontman Kim Wilson to play harmonica proves to be an inspired move -- he and Johnson conjure up a blues duo from the '50s, and when legendary pianist Pinetop Perkins sits in on a couple of numbers things really smoke. The Johnson originals on the album sit comfortably next to the classic covers, and the gutbucket style assures plenty of musical muscle, with Johnson and Wilson constantly pushing each other further. Where drums do come in, on three of the 13 tracks, they might as well not be there, they're so low in the mix and offer so little -- they're certainly not missed anywhere else. On the evidence here, Johnson is every bit as comfortable on his own as he is with the backing of a band, and the more intimate, live setting (the disc was recorded in two days) brings out some subtleties in his singing and playing styles that get lost in a group setting. An enjoyable and even important modern blues record. ~ Chris Nickson
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