Premiere - 12/01/2003
"...A tour de force of fast-paced montage, unmatched in the silent era..."
Sight and Sound - 06/01/2010
"POTEMKIN is still frantic, robust, tantalising political film-making..."
Los Angeles Times - 03/18/2011
"[A] dazzling piece of virtuoso filmmaking....Packed with movement, incident and beauty, this is no fusty museum piece but a thrilling jolt of pure cinematic adrenaline."
Total Film - 06/01/2011 5 stars out of 5 -- "Eisenstein's masterpiece is still guaranteed to get the pulse racing."
Description by OLDIES.com:
Odessa - 1905. Enraged with the deplorable conditions on board the armored cruiser Potemkin and raising the red flag of revolution, the sailors' revolt becomes the rallying point for a Russian populace ground under the boot hells of the Czar's Cossacks. When ruthless White Russian cavalry arrives to crush the rebellion on the sandstone Odessa Steps, the most famous and most quoted film sequence in cinema history is born.
For eight decades, Sergei Eisenstein's 1925 masterpiece has remained the most influential silent film of all time. Yet each successive generation has seen Battleship Potemkin subjected to censorship and re-cutting, its unforgettable power diluted in unauthorized public domain editions from dubious sources. Until now. Kino is proud to join the Deutsche Kinematek in association with Russia's Goskinofilm, the British Film Institute, Bundesfilm Archive Berlin, and the Munich Film Museum in presenting this all new restoration of Battleship Potemkin. Dozens of missing shots have been replaced, and all 146 title cards restored to Eisenstein's specifications. Edmund Meisel's definitive 1926 score, magnificently rendered by the 55-piece Deutches Filmorchestra in 5.1 Stereo Surround, returns Eisenstein's masterwork to a form as close to its creator's bold vision as has been seen since the film's triumphant 1925 Moscow premiere.
Sergei Eisenstein's film of the famed Odessa revolt has been one of the landmarks of cinema since its release. Commissioned by the government to commemorate the failed uprising of 1905, it's without stars or even actors in the usual sense, exemplifying the collectivism it celebrates. The Battleship Potemkin has just returned from the war with Japan, its crew near mutiny because of brutal treatment and bad rations. When they're served maggot-infested meat one morning, the sailors finally rebel. One of the sailors, Vakulinchuk (Aleksandr Antonov), dissuades the officers from firing upon the mutineers, and they join the rest of the crew in revolt. Hearing of the mutiny, the people of Odessa send supplies to express their solidarity with the crew and gather en masse to mourn a slain sailor. The czar's troops arrive to dispel the crowd. In perhaps the most famous sequence in film history, the director rhymically intercuts shots of the troops marching machinelike down the Odessa steps with shots of innocent citizens being killed and wounded, in a brilliant embodiment of the director's theories of montage. Aside from CITIZEN KANE, perhaps the most perfectly constructed film ever made, the film's vision of tyranny and rebellion remain as powerful today as it was in 1925.
This film classic about the 1905 Russian Revolution dramatizes the mutiny of the sailors of the Battleship Potemkin and the subsequent massacre of the innocent civilians who sympathized with them. The silent film features a musical soundtrack by Edmund Meisel. Eisenstein's innovative editing techniques in this masterpiece have influenced directors from mainstream Hollywood to the avant-garde.
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In 1948 and 1958, an international critics poll selected POTEMKIN as the best film ever made.
Although innocent citizens were killed in Odessa, the massacre depicted there never occurred.
The film has been banned in many places throughout the world because of its content.
The film is a distillation of what was originally intended as a multipart epic.
The film was made to celebrate the 20th anniversary of the Odessa uprising.
Sergei Eisenstein is one of the most prestigious film directors and theorists in cinema history. He advocated the use of montage, in which editing communicates the meaning and emotion of a scene. The Odessa Steps sequence contains more than 1,300 shots to show an action that realistically would have taken only a few minutes; here it draws out the horror of the attack.
The Odessa Steps sequence has been paid homage to dozens of times over the years, in everything from Brian De Palma's THE UNTOUCHABLES to Woody Allen's BANANAS to THE NAKED GUN films.
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