Paradeiro is by far a more direct, melodious, and instantly enjoyable record than Arnaldo Antunes' previous and highly experimental album, O Corpo. Still though, it is hard to define what kind of music Antunes has come up with this time. It ain't rock, and it certainly ain't traditional Brazilian music, although it is clearly influenced by both. The percussion is very much in the foreground on Paradeiro. Surely, the collaboration between Antunes and Carlinhos Brown has contributed toward making the album sound more rhythmic and "Brazilian" than Antunes' usual output. Three of the most direct highlights on this album are the humorous and catchy hit single "Essa Mulher" and the both musically and lyrically exquisite "Debaixo d'Agua" and "Do Vento." Marisa Monte makes a guest appearance both as co-writer and singer on the fine title track. Other standouts are the fast rock-oriented "Aten?ao" and the cover of Paulo Leminski's "Luzes," with its aggressive acoustic guitar play. Paradeiro also benefits from the excellent production by Brown and Al? Siqueira, one of Brazil's most talented producers. On the whole, this is definitely one of Arnaldo Antunes' most interesting albums, and it also bears clear resemblance to his following release, Tribalistas, as well as Monte's successful Rose & Charcoal. ~ Philip Jandovsky
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