Kennel Murder Case

Starring: William Powell & Mary Astor Director: Michael Curtiz

Philo Vance, the wealthy, sophisticated private eye unravels this complicated mystery centering on a Long Island dog show. The best film in the "Philo Vance" series.

THE KENNEL MURDER CASE is one of the best cinema murder mysteries of the 1930s, a delight from start to finish.

William Powell is remembered today as Nick Charles in the Thin Man films, but before that he was suave, debonair Philo Vance in a series of films based on the classic novels by S.S. Van Dine.

As the film opens, you'll find more intrigue at the Long Island Kennel Club than you will at an Agatha Christie British manor. A swanky society crank, Archer Coe (Robert Barrat), seems to go out of his way to insult and bully everybody, including his niece (Mary Astor), his niece's fiancee (Paul Cavanaugh), his personal secretary (Ralph Morgan), his brother (Frank Conroy), his mistress (Helen Vinson), his mistress' boyfriend (Jack LaRue), and his Chinese cook (James Lee). When Coe is found dead in his bedroom, all the doors and windows locked from the inside, everybody thinks he committed suicide - everybody, that is, but our boy Philo, who notices some anomalies in the setting. Not only does Vance have to figure out who killed Coe, though, he also has to figure out how.

Michael Curtiz directed the film, and did a masterful job, keeping the lean film moving swiftly. There isn't a spare second in the film?s brief (under 75 min.) running time, and you'll be laughing and guessing along with Vance until the final frame. Did I say laughing? Yes, there's some good comic relief from Etienne Girardot as a grumpy coroner who finds the escalating body count interfering with his meals ("There's too many people in the world anyway!") and gravel-voiced Eugene Pallette as a clueless detective (faced with a victim who was bludgeoned, stabbed in the back, and then shot in the head, the detective whispers to the coroner, "Is there any chance it was suicide?").

I love this film!

William Powell is fantastic as always, but its the direction by Michael Curtiz that really sets this movie in a class by itself. Great use of scale models to create some tricky camera pans. Good performances from all the cast, including the dogs, and clever plot twists make this a true classic. Only Powell could solve a crime without removing his swanky leather gloves.

This Philo Vance movie has a wonderful plot, and great acting all around. William Powell was definitely at the top of his game in this one.