Thomas Newman Scent of a Woman [Original Motion Picture Soundtrack]
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- Released: January 19, 1993
- Originally Released: 1993
- Label: MCA
- 1.The Scent of a Woman, film score: Main Title
- 2.The Scent of a Woman, film score: A Tour of Pleasures
- 3.The Scent of a Woman, film score: Tract House Ginch
- 4.The Scent of a Woman, film score: 45 in 25
- 5.The Scent of a Woman, film score: Balloons
- 6.The Scent of a Woman, film score: Cigars Part Two
- 7.Por una cabeza, tango for voice & chamber orchestra
- 8.The Scent of a Woman, film score: Long Gray Line
- 9.The Scent of a Woman, film score: The Oakroom
- 10.The Scent of a Woman, film score: Park Ave.
- 11.The Scent of a Woman, film score: Witnesses
- 12.The Scent of a Woman, film score: Beyond Danger
- 13.Violetera for voice & orchestra, La
- 14.The Scent of a Woman, film score: Other Plans
- 15.The Scent of a Woman, film score: Assembly
- 16.The Scent of a Woman, film score: Fleurs de Rocaille
- 17.The Scent of a Woman, film score: End Title
All music by Thomas Newman.
Personnel: Jon Clarke (oboe, English horn, oboe d'amore).
Audio Mixers: John Vigran; Thomas Newman.
Recording information: Village Recorders, West Los Angeles, CA.
Editors: Bill Bernstein; Bob Badami.
A film involving a violently loud, retired, and suicidal blind man (played by Al Pacino) could have been stricken with a motion picture score to match the surface mood. Thomas Newman's score for Scent of a Woman delves beneath the surface, and what is found is a set that sounds not only classical but classy. There is a chilling calm in the music, a dreamlike state, that draws energy from the colors and feelings of autumn in New York City. Just as one track settles into a peaceful sleep, the stings and violins and drums come marching in, often too briefly, and fade away. While awaiting their return, the quietness of the "in-between" tracks pulls the listener in until what was being waited for is nearly forgotten. The soundtrack features "Por Una Cabeza" performed by the Tango Project; the piece served as the centerpiece of emotion in the film, in which the beautiful Gabrielle Anwar takes Al Pacino's hand and learns that seeing music through wide-open eyes is not half as important as feeling it with the other four senses. Newman's soundtrack believes that too. ~ Peter Fawthrop
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