- Number of Discs: 2
- Released: November 10, 2009
- Label: Discipline Us
Q - 12/99, p.1624 stars out of 5
- "...this 1969 album's manic energy and compressed imagery captures the violent downside of the hippy years...better than almost any other recording from the time..."
Q (Magazine) - p.121
"From baroque ballads to avant-garde heavy metal, Crimson's debut sounded unlike anything else before or since."
Tracks on Disc 1:
- 1.21st Century Schizoid Man
- 2.I Talk To The Wind
- 5.The Court Of The Crimson King
- 6.Moonchild [Full Version]
- 7.I Talk To The Wind [Duo Version]
- 8.I Talk To The Wind [Alternate Mix] - (remix)
- 9.Epitaph [Backing Track]
- 10.Wind Session
Tracks on Disc 2:
- 1.21st Century Schizoid Man [5.1 Digital Surround]
- 2.I Talk To The Wind [5.1 Digital Surround]
- 3.Epitaph [5.1 Digital Surround]
- 4.Moonchild [5.1 Digital Surround]
- 5.The Court Of The Crimson King [5.1 Digital Surround]
- 6.21st Century Schizoid Man [2009 Stereo Mix]
- 7.I Talk To The Wind [2009 Stereo Mix]
- 8.Epitaph [2009 Stereo Mix]
- 9.Moonchild [2009 Stereo Mix]
- 10.The Court Of The Crimson King [2009 Stereo Mix]
- 11.21st Century Schizoid Man [Original Master Edition 2004]
- 12.I Talk To The Wind [Original Master Edition 2004]
- 13.Epitaph [Original Master Edition 2004]
- 14.Moonchild [Original Master Edition 2004]
- 15.The Court Of The Crimson King [Original Master Edition 2004]
- 16.Moonchild [Full Version]
- 17.I Talk To The Wind [Duo Version]
- 18.I Talk To The Wind [Alternate Mix] - (remix)
- 19.Epitaph [Backing Track]
- 20.Wind Session
- 21.21st Century Schizoid Man
- 22.I Talk To The Wind [Studio Run Through]
- 23.Epitaph [Alternate Version]
- 24.Moonchild [Take 1] - (take)
- 25.Court Of The Crimson King [Take 3], The - (take)
- 26.21st Century Schizoid Man [Video] - (mono)
Initial pressings featured a limited edition, cardboard-stock gatefold sleeve and unpublished archive photos.
King Crimson: Greg Lake (vocals, bass); Robert Fripp (guitar); Ian McDonald (flute, clarinet, saxophones, keyboards, background vocals); Michael Giles (drums); Peter Sinfield.
Personnel: Ian McDonald (vocals, reeds, woodwinds, Mellotron, keyboards, vibraphone); Greg Lake (vocals, bass guitar); Michael Giles (vocals, drums, percussion); Robert Fripp (guitar).
Liner Note Authors: Sid Smith; Robert Fripp.
Recording information: Wessex Sound Studios, London; Wessex Sound Studios, London, England.
Photographer: Kenne "Cannonball" Cramer.
The group's definitive album, and one of the most daring debut albums ever recorded by anybody. At the time, it blew all of the progressive/psychedelic competition (the Moody Blues, the Nice, etc.) out of the running, although it was almost too good for the band's own good -- it took King Crimson nearly four years to come up with a record as strong or concise. Ian McDonald's Mellotron is the dominant instrument, along with his saxes and Fripp's guitar, making this a somewhat different-sounding record from everything else they ever did. And even though that Mellotron sound is muted and toned down compared to their concert work of the era (e.g., Epitaph), it is still fierce and overpowering, on an album highlighted by strong songwriting (most of it filled with dark and doom-laden visions), the strongest singing of Greg Lake's entire career, and Fripp's guitar playing that strangely mixed elegant classical, Hendrix-like rock explosions, and jazz noodling. Lineup changes commenced immediately upon the album's release, and Fripp would ultimately be the only survivor on later King Crimson records. ~ Bruce Eder