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Jezebel
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Your Price:
$16.95
Retail Price:
$19.97
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Item Number:
FLA 67878D |
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While movie fans were abuzz over who might play Scarlett O'Hara in the upcoming Gone with the Wind, Better Davis got another Southern belle role - and gave a fiery performance that won the 1938 Best Actress Academy Award. Davis plays Julie, A New Orleans beauty whose constant attempts to goad fiance Pres Dillard (Henry Fonda) to jealousy backfire. Angry and disgraced, Pres breaks their engagement and leaves town. Julie endures a year of remorse until Pres comes home - married. Then her vengeance explodes.
Jezebel is also noted for its sumptuous costumes, Fay Bainter's Oscar-winning performance and William Wyler's vivid direction, highlighted by a horrifying recreation of a yellow fever epidemic. But the film's greatest strength is Davis, whose titanic talent has never been better displayed than in Jezebel.
New Orleans, 1952. Julie Marsden (Bette Davis) and her fiancé, Preston Dillard (Henry Fonda), have a stormy relationship. He won’t go with her--as promised--to collect her decorous white dress for the Olympus ball. In an act of angry defiance, she instead chooses a flamboyant red dress. Pres is dismayed and, at the ball, New Orleans’s high society is outraged. Julie and Pres argue, and he leaves.
A year passes. New Orleans is stricken by yellow fever. Julie hears Pres has returned. Delighted, she throws a party. But, when Pres arrives, Amy (Margaret Lindsay) is with him, and they are married...
Set in the antebellum South, William Wyler’s JEZEBEL centers on high society beauty Julie Marsden. Julie first arrives on horseback, then enters her home flamboyantly hooking the long flowing train of her dress with her riding crop and hoisting it to her shoulders. Julie is not just high-spirited--she is self-centered and high-handed, and she gets away with outrageous behavior because she is rich and beautiful. However, she gets her comeuppance--losing Pres and becoming reclusive and spiteful--before a chance for redemption occurs. JEZEBEL is built around Bette Davis’s bold, powerful, and, at times, subtle performance; when Julie discovers Pres and Amy are married, with the smallest of movements Davis conveys disbelief, then anguish as she realizes the truth--she looks down, her eyelids flicker, she glances from Pres to Amy and back, and utters single words while struggling to maintain her composure. And Fay Bainter, as Aunt Belle, matches Davis when she too discovers Pres is married and continues to greet her guests while worrying about her niece and how she can warn her. Both actresses won well-deserved Oscars. JEZEBEL is also distinguished by Wyler’s and cinematographer Ernest Haller’s graceful, flowing long takes and deep-frame compositions.
Drama | Essential Cinema | Recommended | Romance | Suspense | Theatrical Release
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