Entertainment Weekly - 04/27/2007
"The two actors are terrific. Hopkins, doing a gloss on Hannibal Lecter's mannerisms, invites us to relish that soft-voiced Welsh burr..." -- Grade: B+
New York Times - 04/18/2007
"FRACTURE offers an assortment of tasty treats, notably the spectacle of that crafty scene stealer Anthony Hopkins mixing it up with that equally cunning screen nibbler Ryan Gosling."
Box Office - 06/01/2007
"Anthony Hopkins and Ryan Gosling go at it in this courtroom drama....It's a thrilling bout."
Total Film - 07/01/2007 3 stars out of 5 -- "[With a] taut script, accomplished camerawork, lush set dressing and atmosphere....It's game-on for Gosling and Hopkins' mesmerizing double act."
Ultimate DVD - 06/01/2007 4 stars out of 5 -- "The banter between the actors is engaging and fun....The focus is on this wicked genius and this smart but less experienced kid one-upping each other."
Wall Street Journal - 07/29/2011
"Mr. Gosling sets up his character for a heroism that's fueled in equal measure by shrewd thinking and clear feeling."
In director Gregory Hoblit's 2007 thriller, FRACTURE, one thing is clear--highly successful engineer Ted Crawford (Anthony Hopkins) has shot his wife (Embeth Davidtz). What is not clear, though, is how Willy Beachum (Ryan Gosling), an assertive assistant D.A. on the verge signing with a major law firm, will convict Crawford, since the calculating suspect is masterfully exploiting legal loopholes that may keep him a free man. As Beachum becomes more and more determined to beat Crawford at his own intricately setup game, he risks losing both his shot at the lucrative job and his new love, Nikki Gardner (Rosamund Pike).
Easily Hoblit's finest film since 1996's PRIMAL FEAR, FRACTURE benefits from a similar sense of suspense, which is heightened by the fascinating interplay between Hopkins and Gosling. While Hopkins verges on Hannibal Lecter territory, he never makes the leap to that villain's macabre persona, instead making Crawford a chillingly detached criminal who finds room for occasional moments of disarming humor. And as Beachum, Gosling embodies young, aspiring swagger, making his character the polar opposite of his lost, drug-addled Oscar-nominated role in HALF NELSON. Aided by a smart script (courtesy of Glenn Gers and Daniel Pyne), Hopkins and Gosling take what could have been a decent courtroom drama, and elevate it to the level of a mesmerizing chess match.
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