- Number of Discs: 2
- Rated: Unrated
- Run Time: 1 hours, 37 minutes
- Video: Color
- Released: August 9, 2011
- Originally Released: 1991
- Label: Criterion
- Encoding: Region 1 (USA & Canada)
- Note: Audio commentary featuring Annette Insdorf, author of Double Lives, Second Chances: The Cinema of Krzysztof Kieslowski
- Three short documentaries by Kieslowski: Factory (1970), Hospital (1976), and Railway Station (1980)
- The Musicians (1958): A short film by Kielslowski's teacher Kazimierz Karabasz
- The U.S. ending
- Kieslowski - Dialogue (1991), a documentary featuring a candid interview with Kielslowski and rare behind-the-scenes footage from the set of the Double Life of Véronique
- 1966-1988: Kielslowski, Polish filmmaker, a 2005 documentary tracing the director's work in Poland, from his days as a student through The Double Life of Véronique
- New video interviews with cinematographer Slawomir Idziak and composer Zbigniew Preisner
- A 2005 interview with actress Irene jacob
- A booklet featuring an essay by critic Jonathan Romney and selections from Kieslowski on Kieslowski
- Aspect Ratio: Widescreen - 1.66
- Dolby Digital 2.0 Stereo - French, Polish
- Subtitles - English
Performers, Cast and Crew:
Cannes 1991 -
Best Actress: Irène Jacob
Rolling Stone - 11/28/1991
"...Jacob is a find - she radiates intelligence and sex appeal..."
Sight and Sound - 03/01/1992
"...Cerebral as wells as sensual....The film's teasing paradoxes make for a complexity that is considerably more than double..."
Film Comment - 09/01/1991
"...Veronique is played by Irene Jacob, whom Kieslowski's camera loves, the film is alive each moment she is onscreen, which is nearly every moment..."
Los Angeles Times - 12/13/1991
"...Jacob has a delicate, high-fashion lyricism..."
Uncut - 04/01/2006
"Delicately shot....It's intent on founding a feel, a disquieting fogginess with shafts of uplifting beauty."
Polish director Krzysztof Kieslowski, creator of the masterful THREE COLORS TRILOGY, presents this enigmatic, philosophical drama about duality in the modern world. Weronika (Irene Jacob), a young Polish woman, embraces each aspect of her life with zeal. She has many friendships, sexual and platonic, and a variety of interests. A serious heart ailment, however, debilitates her periodically, but she refuses to let it hold her back. On her way to a singing contest, she sees a woman who is her spitting image. Weronika tries to catch the look-alike's attention, but fails. The second woman, the French Veronique (Jacob), is also a gifted singer yet she rejects this talent to teach at a primary school. Eventually she, too, senses the presence of another force in her life, but it isn't until Alexandre (Philippe Volter), an artist, appears that she finally recognizes this for certain. Kieslowski's superb film is a lyrical study of the divided but inextricably linked worlds of Eastern and Western Europe, featuring two remarkable, soul-bearing performances by the gorgeous Jacob.
A gifted young Polish singer and her French counterpart Veronique (Irene Jacob in a dual role) share similar talents, aspirations, and delicate health. Born on the same day in different countries, the two never meet, but are haunted by an awareness of one another. The film is an evocative study of the very separate yet powerfully intertwined sides of late-20th-century Europe, directed by Polish master Krzysztof Kieslowski.
Psychic Forces |
- A French-Polish coproduction, THE DOUBLE LIFE OF VERONIQUE was the opening night entry of the 1991 New York Film Festival.