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Item Number:
CRIT 156D |
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New York Times - 03/24/1975
"...A tough film....It is always aware of the primacy of man when man's given even half a chance."USA Today - 07/05/2002
"...Still powerful..."Sight and Sound - 01/01/2006
"Davis' film showed, with devastating clarity, how the war for the hearts and minds of the Vietnamese had been lost beyond recall -- and how something similar was taking place in America."A landmark in documentary feature films, this Academy Award-winning documentary is an insightful critique of the US's cataclysmic involvement in Vietnam. The film exposes the duplicitous nature of the American government, obsessive in its quest to squelch Communism and advance its own imperialist agenda, documented here in a media-savvy trail of propaganda ranging from archival footage, excerpts from press conferences, newsreels, and clips from jingoistic Hollywood war pictures. Director Peter Davis also uses damaging interviews (including disturbingly racist comments from US soldiers and General William Westmoreland), pop music from the period, and material he shot himself in Vietnam to create an indelible visual essay against war. Eschewing narration, the film has a cinema verite style, which gains its power from juxtaposition and the severity of its images. Released only two short years after the January 1973 agreement that brought home U.S. troops, the film stands as one of the strongest films condemning the war and the America's involvement in it. HEARTS AND MINDS's title derives from a now-infamous speech given by former President Lyndon Johnson in which he stated, "The ultimate victory will depend on the hearts and minds of the people who actually live there."
| Directed by | Peter Davis | |
| Produced by | Bert Schneider & Peter Davis | |
| Edited by | Lynzee Klingman | |
| Featured | Clark Clifford, George Coker, Daniel Ellsberg, J.W. Fulbright, Gen. William Westmoreland, Gen. George S. Patton, Lyndon Baines Johnson, Richard Milhous Nixon, Brian Holden & Robert Muller | |
| Director of Photography | Richard Pearce |
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