Mojo (Publisher) - 11/01, p.118
"...These interpretations, set against relaxed, early-morn jazz settings...measure up against anything around....Memorable."
Personnel includes: Etta James, Dorothy Leatherwood (vocals); Josh
Sklar (arranger, guitar); Cedar Walton (arranger, piano); Red Holloway
(tenor saxophone); Ronnie Buttacavoli (trumpet, flugelhorn); Rick Baptist (flugelhorn); George Bohannon (trombone); Tony Dumas (bass); Ralph Pendland (drums); Ron Powell (percussion).
Engineers include: Jay Newland, Charlie Watts, Richard McKernan.
Recorded at Conway Studios, Los Angeles, California between November 30, 2000
and March 3, 2001. Includes liner notes by Pat Kannas.
The legendary blues singer indeed lives up to the silly clich? about being able to sing the phone book and make it sound rich, meaningful, and soulful. Still, it's always exciting to hear her tackle materials she's missed before. Here she shifts gears impressively into the intimate jazz club mode, performing beautifully arranged takes on a wide variety of standards (from "Come Rain or Come Shine" to "Cry Me a River") under the direction of producer John Snyder and arranger/pianist Cedar Walton. Those two gathered a handful of great jazz players and recorded the initial tracks without James, who had a touch of the flu. A few months later she had recovered and did the amazing vocal sessions which truly sound live and in synch with the music. Beginning with the redemptive theme of "This Bitter Earth," each song allows her to explore both tenderness and guttural emotions, even a little irony on clever twists like "He's Funny That Way." There are also perfectly placed spotlights for the featured musicians. "This Bitter Earth" and "He's Funny That Way" feature a thoughtful improvisation by Walton, while Duke Ellington's "In My Solitude" has a passionate interlude by tenor saxophonist Red Holloway. Most of the vocals are textured over a bed of simmering brass, adding to the old school big band flavor that creates the atmosphere for the project. It's certainly common for great artists to thank their parents for various influences, but James goes one step further on the title track, allowing her mom to sing the tune; mom is no match for her daughter, but it's still a unique touch that adds emotional dimension to an already emotionally rich affair. ~ Jonathan Widran