Rolling Stone - p.684 stars out of 5
-- "In 'Ten Cent Pistol,' the pair pile on the menace -- a garage quintet's worth of guitars, organ and heavy death march..."
Entertainment Weekly - p.74
"[T]here's a new kind of shrewdness...real songwriting, and real hooks, beneath all that mondo riffage." -- Grade: B+
Billboard (p.37) - "[T]he pair's latest album, BROTHERS, lures with its spooky throwback sound, preternatural grooves and dark bluesy jams."
Mojo (Publisher) - p.934 stars out of 5
-- "The old stomp is here -- along with a cover of Jerry Butler's 'Never Gonna Give You Up' -- but Alabama has stoked The Black keys' dark side."
Mojo (Publisher) - p.57Ranked #5
in Mojo's "The 50 Best Albums Of 2010" -- "Their ability to delve into truly soulful territory was clear..."
Pitchfork (Website) - "New challenges, as well as time apart from their main outfit, have served these guys well....BROTHERS is the loosest they've sounded since 2004's RUBBER FACTORY."
Clash (magazine) - "Different but not drastic, BROTHERS takes just the right amount of street-spirit fire, and builds towards something tentatively grander."
Uncut (magazine) - p.814 stars out of 5
-- "BROTHERS is really all about The Black Keys' swaggering journey from sub-White Stripes curio to one of the best rock'n'roll bands on the planet."
Uncut (magazine) - p.35Ranked #28
in Uncut's "The 50 Best Albums of 2010" -- "[A] measured soulful evolution of the blues-rock sound that's made the duo so compelling..."
Audio Mixer: Tchad Blake.
Photographer: John Peets.
Retreating from the hazy Danger Mouse-fueled pot dream of Attack & Release, the Black Keys headed down to the legendary Muscle Shoals, recording their third album on their own and dubbing it Brothers. The studio, not to mention the artwork patterned after such disregarded Chess psychedelic-era relics as This Is Howlin' Wolf's New Album, are good indications that the tough blues band of the Black Keys earliest records is back, but the group hasn't forgotten what they've learned in their inwardly psychedelic mid-period. Brothers still can get mighty trippy -- the swirling chintzy organ that circles "The Only One," the Baroque harpsichord flair of "Too Afraid to Love You" -- but the album is built with blood and dirt, so its wilder moments remain gritty without being earthbound. Sonically, that scuffed-up spaciness -- the open air created by the fuzz guitars and phasing, analog keyboards, and cavernous drums -- is considerably appealing, but the Black Keys' ace in the hole remains the exceptional songwriting that Dan Auerbach and Patrick Carney are so good at. They twist a Gary Glitter stomp into swamp fuzz blues, steal a title from Archie Bell & the Drells but never reference that classic Tighten Up groove, and approximate a slow '60s soul crawl on "Unknown Brother" before following it up with a version of Jerry Butler's "Never Gonna Give You Up," and it's nearly impossible to tell which is the cover. And that's the great thing about the Black Keys in general and Brothers in particular: the past and present intermingle so thoroughly that they blur, yet there's no affect, just three hundred pounds of joy. ~ Stephen Thomas Erlewine