David Grisman Dawgnation
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- Released: June 25, 2002
- Originally Released: 2002
- Label: Acoustic Disc
Dirty Linen - 8/03, p.51"...One hundred percent original music punctuated with driving bluegrass rhythms as needed..."
NAPRA Review - 11-12/02, p.60"...Beat[s] a confident, wide path beyond foot-stompin' music into more sophisticated, shoulder-swayin' styles..."
Song previews provided courtesy of iTunes
This is a Hyper CD which, contains regular audio tracks and also provides a link to the artist's website with the help of a browser.
David Grisman Quintet: David Grisman (mandolin); Enrique Coria (guitar); Joe Craven (fiddle, percussion); Matt Eakle (flute); Jim Kerwin (bass).
All tracks have been digitally mastered using HDCD technology.
Personnel: David Grisman (mandola, mandolin); Enrique Coria (whistling, guitar); Joe Craven (mandolin, violin, percussion); Matt Eakle (flute, bass flute).
Audio Mixers: David Grisman; Larry Cummings.
Liner Note Author: Dexter Johnson.
Recording information: Dawg Studios.
Photographers: John Youngblood; D. Brent Hauseman.
David Grisman returns in fine, if standard, form on Dawgnation, the first record of new material produced by his David Grisman Quintet since 1995's Dawganova. The material on Dawgnation doesn't break any new ground particularly, though Grisman's so-called "dawg" music -- a mix of bluegrass, hot jazz, Latin grooves, klezmer, and world rhythms -- can still be exhilarating, especially if one has never heard it before. The band manages to keep the energy high and the music fresh-sounding, making this as fine a starting point into the quintet as any. Each of the tracks is a tribute to one of Grisman's extended musical family -- such as "Slade" (for the late Charles Sawtelle), "Why Did the Mouse Marry the Elephant?" (for bassist Edgar Meyer), and the title track for "Spudboy" (aka Jerry Garcia). Still, the pastoral mix of Matt Eakle's flute, Enrique Coria's flamenco jazz guitar, and Joe Craven's fiddle and percussion with Grisman's mandolin melodies doesn't break any new boundaries. It is calming, pretty, well-executed music that is unlikely to offend anyone, but is ultimately (perhaps) slightly too lite to be considered ballsy and a touch too syncopated and strange to find acceptance among any mainstream audience. ~ Jesse Jarnow
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