Blu-ray Disc Features:
- Rated: R
- Run Time: 2 hours, 3 minutes
- Video: Color
- Released: February 8, 2011
- Originally Released: 1974
- Label: Criterion
- Note: Restored high-definition digital transfer, with uncompressed monaural soundtrack
- Audio commentary by film scholars Peter Brunette and Frank Burke
- Fellini's Homecoming, a 45-minute documentary on the complicated relationship between the celebrated director, his hometown, and his past
- Video interview with star Magali Noël
- Federico Fellini's drawings of characters in the film
- "Felliniana," a presentation of ephemera devoted to Amarcord, from the collection of Don Young
- Archival studio interviews with Fellini and his friends and familt, by longtime radio film critic Gideon Bachmann
- Restoration demonstration
- Deleted scene
- American release trailer
- Plus: a booklet featuring an essay by scholar Sam Rohdie and Fellini's 1967 essay "My Rimini"
- Aspect Ratio: Widescreen - 1.85
- Subtitles - English
Performers, Cast and Crew:
Academy Awards 1974 -
Best Foreign Language Film
Sight and Sound - 09/01/1974
"...Fellini catches us by attacking where he is strongest, at gut-level..."
USA Today - 09/01/1995
"...A Fellini masterwork to rank along with 8 1/2 and I VITELLONI..." -- 4 out of 4 stars
Chicago Sun-Times - 01/04/2004
"If ever there was a movie made entirely out of nostalgia and joy, by a filmmaker at the heedless height of his powers, that movie is Federico Fellini's AMARCORD."
Uncut - 10/01/2004
"[Fellini's] unique, untethered imagination bleeds into every frame..."
Los Angeles Times - 02/13/2009
"AMARCORD unfolds as a pageant, a fresco, in the splendid Fellini tradition that embraces the fantastic, the hilarious, the grotesque and the unexpectedly beautiful."
Washington Post - 03/13/2009
"[A] 1973 color classic, which mostly abandons plot for a series of wild but often touching vignettes exploring the foibles, characters and cruelties of small-time life during the fascist years in Italy."
Federico Fellini's AMARCORD, an acclaimed semiautobiographical episodic drama, examines life in a small Adriatic village just before Mussolini's reign in the 1930s. As the weather changes and spring arrives, the village holds a festival in which it burns a symbolic bonfire and celebrates new life. This gathering in the central square is the first of many others throughout the film. Each time the community assembles, its colorful members show themselves in full force, boasting their bizarre, disjointed personalities--and pure mischief is the result. Several of the village ladies wear their eyebrows penciled on in high, provocative arches, a style that seethes sex and drama, coaxing the camera to follow them. The film takes on a circusy, chaotic tone, making it difficult to see a clear plot structure; AMARCORD instead breaks up into several memorably surreal sequences, a few of which follow a young man named Titta (Bruno Zanin) who wanders in and out of the animated provincial landscape, meeting assorted crazy characters and obsessing over sex. The beautiful clashes with the grotesque and politics and family matters blend together while sex is offset by violence in the inimitable style of Italy's late master of cinema, whose tour de force won an Oscar for Best Foreign Language Film.
Fellini's sentimental yet scathing look at a small town near Rome during the prewar years. Told in several recurring episodes, the story features a teenage boy (who represent the director himself), his parents, his lascivious grandfather, a dizzy hairdresser in search of her "Gary Cooper," a mad uncle who straddles a tree demanding sex, and other colorful, odd characters. With the nostalgic tone of one's memories, the film stresses a series of episodes over a strict plot structure, and is masterfully handled by the flamboyant director. The film won an Oscar for Best Foreign Language Film.
Essential Cinema |
- Theatrical Release: September 19, 1974.
- The title, AMARCORD, is a Roman colloquialism for "I remember."
- There are quite a few sequences dedicated to an exploration of fascism: its absurdity, what makes it possible, and its psychology. In one sequence, a comical fascist wedding takes place before a huge, flower-adorned poster of Mussolini. The members of the wedding party are gleefully subordinate to the "power" of the poster, dancing about like puppets in front of it.
- The title "Amarcord" is a Roman colloquialism for "I remember."