Anita O'Day Keep the Coffee Coming

Keep the Coffee Coming
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Format:  CD
sku:  367RD
on most orders of $50+
Brand New

CD Details

  • Released:
  • Originally Released: 2006
  • Label: Fivefour

Tracks:

  • 1.Lover Come Back to Me
  • 2.Lullaby of the Leaves
  • 3.Love For Sale
  • 4.Speak Low
  • 5.Strawberry Moon
  • 6.Pagan Love Song
  • 7.Ain't This a Wonderful Day
  • 8.Somebody's Cryin'
  • 9.Vaya con Dios
  • 10.The Gypsy in My Soul
  • 11.Anita's Blues
  • 12.I Cover the Waterfront
  • 13.I Didn't Know What Time It Was
  • 14.From This Moment On
  • 15.You Don't Know What Love Is
  • 16.You're the Top
  • 17.Who Cares
  • 18.I Can't Get Started
  • 19.Fine and Dandy
  • 20.As Long as I Live

Product Description:

Personnel: Earl Backus, Tal Farlow, Barney Kessel (guitar); Corky Hale (harp); Dan Lube (violin); Virginia Majewski (viola); Edgar Lustgarten (cello); Budd Johnson (tenor saxophone); Cecil Payne (baritone saxophone); Roy Eldridge (trumpet); Milt Bernhardt, Si Zentner, Bill Harris , Lloyd Ulyate (trombone); Paul "Scooby" Smith (piano, celesta); Bud Lavin, Ralph Burns, Roy Kral , Arnold Ross (piano); Jackie Mills, Larry Bunker, Alvin Stoller, John Poole (drums); Jim Wilson (bongos).
Recording information: 1952-1955.
Arrangers: Ralph Burns; Roy Kral ; Buddy Bregman.
These 18 cuts showcase Anita O'Day at the very height of her powers, between 1952 and 1955, as a stylist and a groundbreaking vocalist. O'Day used her voice like an instrument in the post-bop era: she swung hard and often fast, and dug deep into the charts to come up with an improvisational style that knocked out most of her contemporaries. In an era when female vocalists were the norm, she set a new standard and was, like Ella Fitzgerald, Sarah Vaughan, and Dinah Washington, a singer who understood the blues, was muscular in her approach, and took standards as jumping-off points for improvisation. This collection of now timeless nuggets in American pop are given idiosyncratic, sophisticated, and revelatory treatment. These sides were all cut for the Clef and Verve labels, run by Norman Granz and his successor at Verve, Creed Taylor; they feature O'Day singing with either the Roy Eldridge or Roy Kral quintets or the Buddy Bregman or Larry Russell orchestras. You know the tunes if you are reading this. Check the samples and seek it out; as a single volume it is virtually unbeatable. ~ Thom Jurek

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Product Info

  • UPC: 5013929311121
  • Shipping Weight: 0.25/lbs (approx)
  • International Shipping: 1 item

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