The Sweetest Feeling: Van McCoy Songbook 1962-1973
by Various Artists
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- Released: March 30, 2010
- Originally Released: 2010
- Label: Kent Records UK
Description by OLDIES.com:
The songs of the late Van McCoy have been part of the soundtrack to everyone's life for more than 50 years. He became a hit artist in his own right in the mid-'70s, thanks to 'The Hustle', but it's his creativity as a composer/arranger in the '60s that has beguiled Soul fans. Featured artists on this collection, including Jackie Wilson, Gladys Knight & the Pips, Erma Franklin, Nina Simone, Aretha Franklin, Jerry Butler, Esther Phillips, Irma Thomas and Chuck Jackson, show that McCoy's songs were invariably given the VIP treatment by the biggest stars in the Soul firmament.
Living Blues - p.78"The set's most powerful performances are Donny Hathaway's 1971 six-minute treatment of 'Giving Up'...and Melba Moore's dramatic, multi-octave 1976 reading of 'Lean On Me.'"
- 1.Erma FranklinI Get The Sweetest Feeling
- 2.Jackie WilsonI've Lost You
- 3.The SpellbindersFor You
- 4.Betty EverettGettin' Mighty Crowded
- 5.Ruby & The RomanticsWhen You're Young And In Love
- 6.Nina SimoneEither Way I Lose
- 7.Barbara LewisBaby I'm Yours
- 8.Chuck JacksonWho's Gonna Pick Up The Pieces?
- 9.Esther PhillipsSome Things You Never Get Used To
- 10.Jerry ButlerI Can't Stand To See You Cry
- 11.Billy T. SoulThe Way To A Woman's Heart
- 12.Teri ThorntonWhy Don't You Love Me
- 13.Gladys Knight & The PipsStop And Get A Hold Of Myself
- 14.Irma ThomasIt's Starting To Get To Me Now
- 15.Nancy WilsonWhere Does That Leave Me
- 16.Oscar WeathersThe Spoiler
- 17.IlanaWhere Would You Be Today
- 18.Aretha FranklinSo Soon
- 19.Donny HathawayGiving Up
- 20.G.C. CameronLet Me Down Easy
- 21.The Ad LibsNothing Worse Than Being Alone
- 22.Sharon RidleyStay A While With Me
- 23.Brenda & The TabulationsA Love You Can Depend On
- 24.Melba MooreLean On Me
Van McCoy is not often thought of by mainstream pop history as one of the most interesting behind-the-scenes soul-pop songwriters; he's far more well-known for topping the charts with the 1975 disco hit "The Hustle." But for about a decade prior to that, he'd written a great deal of quality material for a wide assortment of artists, though only a relative few of these had significant commercial success. Sweetest Feeling: Van McCoy Songbook has a couple-dozen tracks he wrote or co-wrote between the mid-'60s and the mid-'70s, most of them cut prior to 1972. Barbara Lewis' "Baby I'm Yours" is the only big pop hit, and even some of the other songs are presented in versions other than the most famous or best-selling one. So it's not a thorough overview of McCoy's work as a songwriter -- that would take a box set -- but it's a very good starting point. At his peak, there were few better than McCoy at combining soul with Brill Building/girl group-shaded pop. Tunes in that mold tend to be this CD's highlights, including "Baby I'm Yours," Betty Everett's "Getting Mighty Crowded," Gladys Knight & the Pips' rousing "Stop and Get a Hold of Myself," Ruby & the Romantics' enchanting ballad "When You're Young and in Love," Irma Thomas' "It's Starting to Get to Me Now," Little Esther Phillips' "Some Things You Never Get Used To," Chuck Jackson's Latin-flavored "Who's Gonna Pick Up the Pieces," Nancy Wilson's "Where Does That Leave Me," and Nina Simone's "Either Way I Lose." Those with a taste for more uptempo and typical '60s soul might prefer Erma Franklin's "I Get the Sweetest Feeling" and Aretha Franklin's unreleased-at-the-time 1968 effort "So Soon," while his way with a lush ballad is well represented by Teri Thornton's "Why Don't You Love Me" and Jerry Butler's "I Can't Stand to See You Cry." True, a few of these tracks are of rather average quality, and some other artists (especially Gladys Knight) did some of these songs better; on the other hand, it's good to hear the rarer renditions as well. But like other volumes of Ace's extensive series covering songwriters who came to prominence in the '60s, it's a good mix of the well-known and the obscure, thoroughly annotated, and leaves room for additional volumes investigating more of McCoy's compositions. ~ Richie Unterberger
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