Toots & The Maytals Very Best of Toots & the Maytals [Polygram]
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- Released: April 25, 2000
- Originally Released: 2000
- Label: Island
- 1.Broadway Jungle
- 2.Bam Bam - (original single version)
- 3.54-46 Was My Number
- 4.Do The Reggay
- 5.Pressure Drop
- 6.54-46 That's My Number
- 7.Sweet & Dandy
- 8.Monkey Man
- 9.Pomp & Pride
- 10.In The Dark
- 11.Funky Kingston
- 12.Time Tough
- 13.Reggae Got Soul
- 14.Never You Change
- 15.Living In The Ghetto
- 16.Never Get Weary
- 17.Dreams To Remember, (I've Got)
- 18.Spiritual Healing
- 19.Peace, Perfect Peace
Song previews provided courtesy of iTunes
Toots & The Maytals: Frederick "Toots" Hibbert (vocals); Raleigh Gordon, Jerry Mathias (background vocals).
Additional personnel includes: Ernest Ranglin, Jerome "Jah Jerry" Hinds (guitar); Lester Sterling (alto saxophone); Roland Alphonso (tenor saxophone); Baba Brooks (trumpet); Don Drummond (trombone); Jackie Mittoo, Harold Butler (piano); Steve Winwood (organ); Wally Badarou (keyboards); Lloyd Brevett, Lloyd Mason, Robbie Shakespeare (bass); Lloyd Nibbs, Paul Douglas, Sly Dunbar (drums); Densil Laing (percussion).
Producers include: Warrick Lynn, Chris Blackwell, Byron Lee, Prince Buster, Leslie Kong.
Compilation producer: Dana G. Smart.
Includes liner notes by Dana G. Smart.
Recording information: Ardent Studios, Memphis, TN; Dynamic SOunds Studio, Kingston, Jamaica; Federal Studios, Kingston, Jamaica; Harry J Studio.
For those who don't want or can't afford to plonk out for the Toots & the Maytals' Time Tough: The Anthology, The Very Best Of provides the perfect solution, distilling down that two-CD, 41-track set to a single 19-song disc. There are a few subtle differences, however; for starters this set boasts two different versions of the band's reggae smash "54-46, That's My Number," as well as the original ska version of their Jamaican Song Festival winner "Bam Bam," unlike the anthology, which included only a later remodel. However, the "Never You Change" found on this set is not the trio's original ska hit, but a reggae-fied remake. The rest of the album pulls directly from the anthology, with the disc divided almost evenly between the trio and a solo Hibbert's pre- and post-Island career. Thus, for those who prefer the Maytals' ska and/or reggae hits, this is not the collection for you, as there are much better compilations of those periods. But for fans looking for a larger overview of both the band and Hibbert himself, this is an excellent place to start. ~ Jo-Ann Greene
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